The Art of Adlessness

On Open Enterprise blog.

Steve, the Artful Tagger

Folksonomies - the ad hoc tagging by anyone of anything - sound terribly democratic compared to your top-down authoritarian imposition of taxonomies, but it's easy to see why people are sceptical about them: how can anything useful arise out of something so chaotic?

Del.icio.us is one example of how such folksonomies can be really useful, and here's another (and note the groovy .museum domain - the first time I've seen this):

"Steve” is a collaborative research project exploring the potential for user-generated descriptions of the subjects of works of art to improve access to museum collections and encourage engagement with cultural content. We are a group of volunteers, primarily from art museums, who share a common interest in improving access to our collections. We are concerned about barriers to public access to online museum information. Participation in steve is open to anyone with a contribution to make to developing our collective knowledge, whether they formally represent a museum or not.

Very cool - both in terms of adding metadata to objects, and as far as getting the public involved with art. Indeed, this idea should really be extended to everything - imagine a database of public places that people could tag.

Great idea, then, but why "Steve"?

Blogging in Italy: Not La DolceVita

I love Italy - wonderful people, wonderful scenery, wonderful art, wonderful food, wonderful wine - well, you get the picture; but I do sometimes wonder about the politicians:

The Levi-Prodi law lays out that anyone with a blog or a website has to register it with the ROC, a register of the Communications Authority, produce certificates, pay a tax, even if they provide information without any intention to make money.

...

the Levi-Prodi law obliges anyone who has a website or a blog to get a publishing company and to have a journalist who is on the register of professionals as the responsible director.

99% would close down.

The lucky 1% still surviving on the Internet according to the Levi-Prodi law would have to respond in the case of the lack of control on defamatory content in accordance with articles 57 and 57 bis of the penal code. Basically almost sure to be in prison.

Cazzarola!

Update: A blogospheric firestorm seems to have brought the Italian government - some of it, at least - to its senses. Dio sia ringraziato.

RMS on Art and Freedom

One of the things I admire about Richard Stallman is the clarity of his thinking. So I was interested to come across these thoughts on art/non-functional works, and why the imperatives for freedom are different here compared to software, say:

If you use something to do jobs in your life, you must be free to change it today, and then distribute your changed version today in case others need what you need.

Art contributes something different to society. You appreciate it. Modifying art can be a further contribution to art, but it is not crucial to be able to do that today. If you had to wait 10 years for the copyright to expire, that would be ok.

Interesting, too, the emphasis on sharing:

I don't think that non-functional works must be free. It is enough for them to be sharable.

Theonemillion(master)piece

Now, I wonder where they got the idea for this?

We are asking you to draw a small square image using software on our website. You don't need to be an artist or be able to draw - you can make patterns, write words, doodle - what-ever you want. Your image will be one of one million images that will make up the entire picture - The One Million Masterpiece.

You can choose to make your picture fit in with the surrounding pieces, or make it stand out, by using a preview feature that shows your image with the context of your neighbours. You can change your image at any time if you don't feel happy with it, and you can exchange messages with your fellow artists using our community pages.

All in a good cause and that, but it has to be said that pooling a million images does not make an image a million times "better". Interestingly, that Other Page looks rather more artistic.... (Via eHub.)

CASPAR = Openness

Something called "Cultural, Artistic and Scientific knowledge for Preservation, Access and Retrieval (CASPAR)" sounds like a typical money-wasting euro gravy-train. But the central problem it aims to address - "How can digitally encoded information still be understood and used in the future when the software, systems and everyday knowledge will have changed?" - is important, and becoming more so by the day.

Over long periods of time, you cannot hope to keep every wacky proprietary data format alive by storing copies of the relevant software: you'd also need to store old operating systems, software manuals etc. The only practical solution is to use open formats. For these, the information will be accessible long after the programs that created them have gone to the great data repository in the sky.