Last month I wrote about how the Netherlands is looking to introduce new flexibilities into its copyright laws, based on some interesting research on copyright exceptions. There must be something in the air, because a wide range of other groups are contemplating exactly the same approach.
Like many people, I've been tracking the steady ascent of Google Chrome - and corresponding decline of Microsoft's Internet Explorer - for some time now. Just recently, yet another milestone has been reached, apparently:
One reason the European Commission decided to refer ACTA to the European Court of Justice may have been in the hope that people would simply get bored and move on. It's certainly true that the cities of Europe aren't full of protesters as they were a couple of months ago, but that doesn't mean that everything has died down completely. Here, for example, is one country whose population still has strong feelings on the matter:
One of the recurrent themes on this blog is the painfully slow progress in terms of getting open source deployed by the UK government. That's despite the fact that there have been multiple statements that it really wants to use more of the stuff, and definitely will - probably, at some point in the future, if the wind is the right direction....
Even though the ACTA text is now finalized, getting details from national governments about what exactly happened during the negotiations is proving extremely difficult, with information still trickling out slowly.
In an interesting blog post, James Firth discusses a comment from music industry analyst Mark Mulligan, quoted in a BBC story about the digital locker site Hotfile:
Back in October I wrote about a UK government consultation on the subject of the proposed Public Data Corporation. The government has now responded with one of its well-written documents [pdf]. Here's part of the executive summary:
Building on the solid work of the Hargreaves Report on copyright, the UK government took a surprisingly sensible attitude in its proposed implementation of most of Hargreaves' suggestions. The consultation period for those proposals ends shortly, and the panic among the copyright industries that the UK government might actually make copyright slightly less biased in their favor is evident. Here's a Daily Telegraph piece where they try to undermine the economic rationale behind the moves, professing scepticism about UK government claims that modernizing copyright will add billions to the UK economy:
It seems like the UK copyright studies and consultations have been going on for years - first with the Gowers Review, followed by the Hargreaves Report and concluding with the current consultation on copyright. That consultation ends this Wednesday, so time is running out to make a submission.
One of the unresolved problems of copyright is how to deal with huge numbers of orphan works -- creations still in copyright, but whose owners can't be traced to give permissions that may be necessary for re-use. The European Parliament's JURI committee met recently to vote on a new report on possible permitted uses of orphan works, prepared by the Polish Member of the European Parliament, Lidia Geringer de Oedenberg.
It's striking how drones have passed from a mysterious weapon used to wreak destruction in distant lands to something that could well become a familiar sight in the skies of the US and Europe. Meanwhile, the technology is progressing rapidly, allowing drones to fly in synchronized swarms and even to be printed out by the sheet. But what might some of the effects on our daily lives be -- for example in the sphere of privacy?
As Techdirt revealed a couple of days ago, one reason why the European Commission decided to refer ACTA to the European Court of Justice was a fear that another SOPA disaster was in the offing. It's a little too early to be sure, but we may be seeing the first signs that the equally problematic TPP agreement is also running into problems because of heightened sensitivity to key issues in the wake of the Net-based revolt against SOPA.
The music streaming service Spotify has adopted a rather unusual pattern of launches around the world. Founded in Sweden, it spread gradually to various parts of Europe, and only later arrived in the US. The main reason for this slow rollout seems to have been difficulty striking licensing deals with the major recording companies.
In my previous post about submitting a reply to the UK government consultation on copyright, I concentrated on one area, that of orphan works. That's arguably the second most-important topic that the report discusses, not least because of the huge potential liberating orphan works has. But without doubt, the most important area is that of exceptions to copyright.
If there's a common trait of the various rightsholders groups around the world, it is their sense of entitlement. If anyone does anything with a work under copyright, they feel they have a right to regulate it and be paid for it. A good example is the claim by the Authors Guild that owners of Kindles weren't allowed to use an experimental text-to-speech feature, since that would infringe on the entirely made up concept of "audio rights" -- and hence, presumably, require further payment.
The progress made by the open data movement is pretty extraordinary. A few years ago, data was something that only statisticians cared about, but today it is one of the most vibrant areas of exploration and innovation. I think that's in part because of open source's example of how opening things up allows people to experiment and make progress faster than keeping everything locked down.
Now that the EU's ratification of ACTA has departed from the original script of everyone just waving it through, the European Commission is clearly trying to come up with Plan B. Some insights into its thinking can be gained from the minutes (pdf) of a recent Commission meeting, pointed out to us by André Rebentisch.
As Michael Geist and others have pointed out, ACTA is the Anti-Counterfeiting Trade Agreement without the main sources of counterfeits being involved -- notably, China. This has required some skilful footwork on the part of ACTA supporters, who need to justify the ratification of a loosely-worded treaty with potentially harmful effects on Internet service providers, civil liberties and developing countries, but which doesn't provide the key benefit claimed in its name. Here's how the European Union's representatives tried to deal with this issue in a "statement on IP Enforcement Trends" made at the WTO Council for TRIPS:
Although ACTA has now been referred by the European Commission to the European Court of Justice, it continues its passage through the various committees of the European Parliament, each of which will provide input on the final decision of whether to ratify ACTA or not. The first of these took place last week, when the International Trade (INTA) committee had a preliminary ACTA workshop. This included hearing from external experts, one of whom was Michael Geist, well known to Techdirt readers.
One of the common assumptions in the copyright debate is that artists are special, and that they have a right to make money from their works repeatedly, in ways not granted to "ordinary" workers like plumbers or train drivers, thanks to copyright's reach through time and space. Of course, when modern copyright was devised in the early 18th century, artists were special in the sense they were scarce; offering them special monopoly privileges "for the encouragement of learning" as the 1710 Statute of Anne puts it, therefore made sense.
As far as we can tell, ACTA has been put on hold for months, maybe even a year, while the European Court of Justice (ECJ) considers its compatibility or otherwise with European laws. But that doesn't mean everything has stopped. The European Parliament has begun examining ACTA from various viewpoints through its committees.
The Raspberry Pi is a $25 credit-card sized computer that has succeeded in making GNU/Linux not just newsworthy, but downright desirable. The initial batch of boards sold out in minutes, and eager customers crashed the server where it was being sold. The original vision of the Raspberry Pi was to promote amateur programming and to re-invigorate the teaching of computing in the UK (and elsewhere) by providing a very low-cost and easily hackable system. Naturally, though, its open source code allows it to be applied in many different situations. Here, for example, is a plan to create a secure chat system for activists that can be used in countries where communications are routinely under surveillance, using a program called Cryptocat:
Amidst the growing enthusiasm for digital texts -- ebooks and scans of illustrated books -- it's easy to overlook some important drawbacks. First, that you don't really own ebooks, as various unhappy experiences with Amazon's Kindle have brought home. Secondly, that a scan of an illustrated book is only as good as the scanning technology that is available when it is made: there's no way to upgrade a scan to higher quality images without rescanning the whole thing.
Some bad ideas just keep on coming back, despite the fact that they are manifestly stupid. Trying to get Google and others to pay for the privilege of sending more traffic to newspapers by including short snippets from their stories is one of them. Of course, logic would dictate that the newspapers should be paying Google for the marketing it provides, but unfortunately not everyone sees it that way.
As Techdirt reported earlier this year, Spain's Sinde Law, designed to combat file sharing by blocking sites with allegedly infringing material, has an extremely complex history. It finally went into effect on 1 March, and was immediately met with a clever denial of service attack from a Spanish group with the self-explanatory name "Hackivistas". As TorrentFreak explains:
One of the most insidious aspects of recent Internet policy-making is that much of it is taking place behind closed doors, with little or no consultation -- think of SOPA, PIPA, ACTA and TPP. But there's another dangerous trend: the rise of "informal" agreements between the copyright industries and Internet service providers.
Even though the European Commission has referred ACTA to the European Court of Justice, the European Parliament continues to examine the treaty in its various committees. Earlier this week, the one dealing with International Trade met for a preliminary discussion. One of the key speakers was the Commissioner responsible for ACTA, Karel De Gucht, who naturally tried to make light of the many problems that have been raised in recent weeks.
One of the striking features of the demonstrations against ACTA that took place across Europe over the last few weeks was the youth of the participants. That's not to say that only young people are concerned about ACTA, but it's an indication that they take its assault on the Internet very personally -- unlike, perhaps, older and more dispassionate critics.
Just as the original term of copyright has been constantly extended from the original 14 years in the Statute of Anne, so the the scope of intellectual monopolies has been widened by the introduction of new ways in which people assert ownership of abstractions. Here's the latest idea: a right to protect your image.
A couple of weeks ago, Techdirt wrote about a surprising initiative by the Netherlands to introduce new flexibilities into its copyright law. Given that leadership from the Dutch government, it's probably no surprise that a few days later, the Dutch Parliament also showed itself in the political vanguard by voting not to ratify ACTA for the time being.
A couple of weeks ago, Techdirt reported on UK politicians calling for ISPs to "take down" terrorist content. Now it seems that the idea has not only spread to other European countries, but even acquired a cheesy name: "the Clean IT Project".