One of Larry Lessig's favourite concepts is that of the remix: taking pre-existing stuff and doing something new with it. Recently I came across one of the purest expressions of that remix idea in the shape of the Georg Baselitz exhibition at the Royal Academy.
After a series of rooms packed with often deeply disturbing images, the show culminated in one devoted entirely to the remix. More precisely, the pictures were remixes by Baselitz of his earlier works, which created a powerful double resonance. The ultimate remix, perhaps.
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