Moody: the works
Essays
Glanglish - with audio versions
Travel writings
Moody Travels (with photos)
Novels
open source, open genomics, open creation
In this view, mathematicians will still prove theorems and come up with counterexamples, but they will do it because they enjoy it, not because their career depends upon it. Society will benefit from the coming flood of new AI-derived results, as we move from an era of proof scarcity to an era of proof abundance, but there will still be a place for human mathematicians to interpret those results, to pass them on to the wider community, and to build on them, probably using AI to do so. In this respect, they will become what the “technical philosopher” Logan Graves calls “priests”
On Techdirt.
Posted by
Glyn Moody
at
4:09 pm
Labels: academic journals, ai, caltech, conjecture, mathathon, mathematics, millennium prize, navier-stokes, singularity, terence tao, theorem, threats
As that indicates, this is not a new problem. Walled Culture the book discusses similar cases of copyright being abused for the purposes of censorship, notably as part of online “reputation management” services. These often use false claims of copyright infringement to remove material that is damaging or embarrassing to their clients. The application of similar censorship techniques on a large scale against politically inconvenient material in Albania shows how copyright continues to be perverted for purposes far from the purported ones of encouraging and rewarding creativity.
On Walled Culture.
Posted by
Glyn Moody
at
4:07 pm
Labels: albania, anna’s archive, censorship, dns, donald trump, european parliament, flamingo revolution, france, Google, instagram, italy, jared kushner, meta, nature reserve, net blocks, piracy shield, tourism, vpn
Posted by
Glyn Moody
at
6:49 pm
Should we rely on a few dominant companies to police everyone’s use of AI to spot and block the bad actors? As AI becomes embedded in everyday life, that effectively means constant surveillance of everyone by those companies. What about the legal frameworks for handling these abuses? Who should bear the liability when threat actors succeed in circumventing the built-in safeguards and cause real-life harm? And how would increasingly capable open weight/open source systems that exist outside the control of any company fit into new legal and liability frameworks? It’s going to be an interesting few years finding out — assuming we have that long…
On Techdirt.
Posted by
Glyn Moody
at
6:42 pm
For the last few months, there has been much talk of AI agents going “rogue”. This is another of those unhelpful anthropomorphisms that are great for clickbait headlines, but which obscure a multitude of important issues.
On Techdirt.
Posted by
Glyn Moody
at
6:36 pm
Labels: agents, ai, aisi, ajeya cotra, alignment, benchmark, cooperation, evan hubinger, frontier ai, going rogue, jacob coxon, jakub pachocki, messaging, metr, pascal, pascal's wager, recursive self-improvement, reward hack, sandbox, wiki
As the use of generative AI and LLMs becomes widespread and even routine in today’s society, it seems possible that this will bring with it a certain presumption in their favour that will trump even the decades-long habit of treating copyright as something sacrosanct that must be preserved and protected at all costs.
From Walled Culture.
Posted by
Glyn Moody
at
5:30 pm
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| Mantegna's masterpiece in Mantua |
And here it is: the island with the labyrinth of water. An unremarkable but inexplicable fresco. The info says it is Mount Olympus….
A return to the magical city of Mantua to visit a few of my favourite masterpieces, as well as a new gallery of modern art there.
Posted by
Glyn Moody
at
7:22 pm
Labels: barrel vault, bernini, brescia, caesars, Camera Degli Sposi, hercules, kiefer, mantegna, mantua, mount olympus, palazzo ducale, peter greenaway, sonnabend collection, titian, troy, venice
This move from the Hollywood-style blockbusters to low-budget films made by new directors – often emerging from the world of YouTube – and new production houses is great news for audiences eager for new experiences and a sense of community. It not only brings fresh talent to the art form, it also opens up the possibility of fan-funded films that manage the difficult trick of being thoughtful and popular.
From Walled Culture.
Posted by
Glyn Moody
at
7:05 pm
Labels: bbc, blockbuster, budgets, community, et, hollywood, horror film, infringement, letterboxd, low-budget, profits, true fans, youtube
The world of generative AI is so complex, and moving so quickly, that it is no wonder that even the relatively recent EU AI Act, which entered into force two years ago, is being left behind by the latest developments. And the EU Copyright Directive, which was drawn up nearly a decade ago, is the digital equivalent of the UK’s 1865 Red Flag Act, which governed “self-propelled vehicles”, and required “a man with a red flag was to walk at least 60 yd (55 m) ahead of each vehicle”.
From Walled Culture.
Posted by
Glyn Moody
at
2:43 pm
Labels: ai, copyright, enforcement, eu, eu ai act, generative ai, local ai, red flag act
In a post on his blog, the security guru Bruce Schneier points out that if the ruling stands and is adopted elsewhere, it could have important implications not just for things like Google’s AI Overviews and chatbots, but also for the increasingly popular AI agents.
On Techdirt.
It is the usual one-sided justice that is typical when copyright is involved. It seems that LaLiga is being given carte blanche to do whatever it likes here, and never mind the consequences for Internet companies and their users. As Hadopi fades, and Italy’s Piracy Shield carries on as before, the fear has to be that Spain’s unconstrained approach to copyright enforcement could end up being worse than both.
From Walled Culture.
Posted by
Glyn Moody
at
10:19 am
Labels: ai, artifical intelligence, llms, machine learning, recursion, rsi, superintelligence, tubes
Posted by
Glyn Moody
at
10:38 am
Labels: abstract, ai, chain of thought, conjecture, duel, Erdős, llms, maths, patience, proof, refutation
With the latest incarnation of its search engine, Google is making the World Wide Web as we have known it for over 30 years invisible, and therefore increasingly irrelevant to most people, who will be happy to let Google become their universal user interface to everything. And yet Google still depends on the Internet to supply all the information it is analysing and repackaging. It risks killing the very thing that sustains it.
Posted by
Glyn Moody
at
7:59 am
Labels: agents, ai, altavista, artificial intelligence, black box, genai, Google, interface, internet, links, llms, lycos, publishing, search, training, webcrawler, world wide web
Hadopi is not quite dead yet: the French government could try to solve the two problems pointed out by the CJEU and confirmed by the Conseil d’État, by setting up yet more independent bodies to handle these specific aspects of Hadopi. That would involve throwing even more taxpayers’ money at an approach that has not only failed completely, but which is fundamentally misguided. Clearly, trying to keep the moribund Hadopi alive in this way would be an irrational and wasteful thing for the French government to contemplate; but given this is the world of copyright, it might well try to do it anyway.
Via Walled Culture
Posted by
Glyn Moody
at
12:25 pm
Labels: cjeu, copyright, france, graduated response, hadopi, three strikes
Posted by
Glyn Moody
at
2:48 pm
Labels: asimov, clown, donald trump, elections, empire, foundation trilogy, mathematics, mule, psychohistory, statistics, wars
In other words, today’s obsession with protecting intellectual monopolies above all else could one day prove a major obstacle to fighting — and winning — future wars.
Posted by
Glyn Moody
at
7:29 am
Posted by
Glyn Moody
at
2:32 pm
Labels: apple, calendar, camera, doomscrolling, ebook, map, smartphone, steve jobs, translator, tv
Posted by
Glyn Moody
at
12:10 pm
Labels: ai, art, comms, databases, internet, poetry, sonnet, spreadsheets, troubadours, word processors
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| Just don't call him Alexander the Great |
The most amazing thing about this place is that it exists, a complete culture and nation that practically no one outside knows about. It is like a secret land, hiding in plain sight. This ensemble – the square, statues, river, buildings – is astonishing. Although quite new, it has an eternal, classical feel to it. It brings to mind The Ideal City, usually attributed to the architect and artist Fra Carnevale.
A short trip to the mysterious and little-known Skopje, capital of North Macedonia, with its intriguing mixture of ancient Ottoman culture and in-your-face neoclassicism. It also has 202 red double-decker buses - made in China.
Posted by
Glyn Moody
at
1:08 pm
Labels: albanian, archaeology, bazaar, earthquakes, galleon, guns, mother goddess, north macedonia, ottoman empire, romans, skopje, turkish cuisine, venus
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| Atmospheric corridors inside the Büyük Valide han |
It is dark, with few lights, and all kinds of junk piled in the corridors. On each side there is an amazing variety of small rooms. A few are surprisingly glamorous showrooms. Others are simple workspaces, with people cutting cloth, or making jewellery. Some are half-bare rooms full of tools and equipment, a few men working with pieces of metal. One or two are on two floors, with internal stairs rising to another level. In one corner, there is a café, supposedly with a fine view of the sea. Since we had already enjoyed a fine view from Mimar Sinan café, we gave this a miss.
A return after three decades to the ancient and amazing city of Istanbul, now a pullulating supercity of 16 million people. Alongside the famous sights – Hagia Sophia, the Basilica Cistern and Topkapi palace – and the mosque masterpieces of the world's greatest architect, Mimar Sinan, a host of out-of-the-way gems to be discovered among the city's many steep hills.
Posted by
Glyn Moody
at
11:22 am
Labels: basilica cistern, black sea, bosphorus, golden horn, hagia sophia, han, istanbul, mimar sinan, mosques, topkapi palace, trams, turkey
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| A perfectly-preserved Roman statue of Victory, found in Brescia |
To Pinacoteca Martinengo. We’re practically the only visitors, of course. A room with some great frescoes – one with a huge, shaggy dog. Another room, with two Raphaels – real ones. Weird pic by Moretto – Last Supper. Christ has a hippy hat with badges, and a shell pinned on the left shoulder. Pilgrim symbols, apparently. The maid is carrying a dish of what looks like roast monkey, and none too fresh. Striking pic of Christ and Veronica, with lots of soldiers looking fearful. By Il Cariani.
Posted by
Glyn Moody
at
1:26 pm
Labels: brescia, brixia, frescoes, laocoon, messerschmidt, moretto, mosaics, raphael, romans, ruins, santa giulia, Sofonisba Anguissola, temple, victory
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this work.
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