A Copyright First: Bogus Copyright Takedown Leads To Australian Court Awarding $150k Damages

We're so inured to hearing about unjustified claims of copyright infringement going unpunished that's it's good to come across a case where extensive damages were awarded for the harm caused. It concerns a film that the Australian artist Richard Bell made in New York, with the help of an assistant called Tanya Steele: 

On Techdirt.

No Art Please, You're Not British

I thought we had got beyond this daftness:

A Cellist was held at Heathrow Airport and questioned for 8 hours this week. A terrorist suspect? False passport? Drug smuggling? If only it was so dramatic and spectacular. Her crime was coming to the UK with her cello, to participate in musicology conference organised by the School of Music at the University of Leeds and it was for this reason that Kristin Ostling was deported back to Chicago. What was UK Borders Agency (UKBA) thinking? That she would sell her cello to earn some cash, or do a spot of moonlighting at some secretive classical music gig, while she was here?

The Conference organiser, Professor Derek Scott informed the Manifesto Club that “She was not being paid a penny for this, but these zealous officers decided that playing a cello is work and, paid or unpaid, she could not be allowed in.”

Lovely logic here: if you are a professional cellist it follows that putting bow to string is work, and therefore not permitted according to the terms of your visa. And as the article explains, it's the same for painters and photographers: if you dare to create a masterpiece here in the UK, you might end up being deported, and blacklisted.

Now, call me old fashioned, but it seems to me that we should actually be *begging* artists to come here and create: it not only enriches the cultural ecosystem based on the UK and all it contains, it makes it more likely that other artists and non-artists will want to come to the country to see where these works were spawned, bringing with them all that valuable touristic dosh that everyone seems to be scrabbling after these days.

But the problem is really deeper than this simple loss of these earnings. What is really disturbing is the crass way the UK Borders Agency equates artistic creation with work: if you act as an artist - even if you are not paid - you are theoretically doing something that should have a price on it. This is really part and parcel of the thinking that everything should be copyrighted and patented - that you can't do stuff for free, or simply give away your intellectual creations.

It's a sick viewpoint that leads to kind of shaming situations described above. And of course, in the usual way, the people imposing these absurd practices haven't though things through. After all, if musicians can't play, or artists paint, when they come to the UK, surely that must mean by the same token that visiting foreign mathematicians can't manipulate formulae, and philosophers are forbidden to think here...?

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Some is Rotten in the State of Copyright

Nicely put:

By the end of the day, John has infringed the copyrights of twenty emails, three legal articles, an architectural rendering, a poem, five photographs, an animated character, a musical composition, a painting, and fifty notes and drawings. All told, he has committed at least eighty-three acts of infringement and faces liability in the amount of $12.45 million (to say nothing of potential criminal charges).50 There is nothing particularly extraordinary about John’s activities. Yet if copyright holders were inclined to enforce their rights to the maximum extent allowed by law, he would be indisputably liable for a mind-boggling $4.544 billion in potential damages each year. And, surprisingly, he has not even committed a single act of infringement through P2P file sharing. Such an outcome flies in the face of our basic sense of justice. Indeed, one must either irrationally conclude that John is a criminal infringer—a veritable grand larcenist—or blithely surmise that copyright law must not mean what it appears to say. Something is clearly amiss. Moreover, the troublesome gap between copyright law and norms has grown only wider in recent years.

(Via Boing Boing.)