Help To Save The World: Go Online

Too often we read that the Internet is making us stupid or fat, or destroying the "fabric of society." Indeed, judging by the all the digital jeremiads it's a wonder that anybody dares to use it at all, since it's clearly irredeemably bad in every way. So it's refreshing to come across an upbeat piece from Lauren Weinstein with the inspiring title "How the Internet Can Save the World." His basic point is this: 

On Techdirt.

Cardiff Council Welshes on Welsh Culture

Unbelievable:

An action group says it is "aghast" at plans to sell some of Wales' oldest and rarest books.

Cardiff Council could eventually sell up to 18,000 items dating from the 15th Century at auction to raise money for improvements in library services.

Why don't they just ban culture and be done with it?

Ballmer Will Buy (Into) Open Source

"We will do some buying of companies that are built around open-source products," Ballmer said during an onstage interview at the Web 2.0 Summit in San Francisco.

A refusal to consider acquisitions of open-source developers "would take us out of the acquisition market quite dramatically," Ballmer said -- a tacit acknowledgment of how thoroughly open-source development has reshaped the software market.

I don't think Steve really realises what he is saying: you can't just buy an open source company, you have to buy *into* the entire culture - it's the only way the company's product can survive. In other words, Microsoft would have to become - if only in part - an open source company, as I've maintained it would for a while, now. (See also Matt Asay's interesting thoughts on who exactly Ballmer might be getting his chequebook out for.)

Bravo!

Gilberto Gil is something of an icon in the open content world, and with good cause. He's a big name that backs the idea of others creating around his own art. And as Minister of Culture, he's also an influential politician in his native Brazil and far beyond.

Put the two together and you have a man who is in a unique position to talk to powerful people about important things. For example:

I had a meeting with the president of WIPO [on 25 September], and I was very much enthusiastic about the future role about the future role we think WIPO should play in terms of interpreting the trends, the tendencies, of intellectual property flexibility, inclusion, as the president himself puts it. Meaning, not just including as many as possible number of countries in the functioning of the institution today, but also inclusion in the sense that we should include the new themes, the new demands, and intellectual property flexibilities is one of the main things today. Not only considering the protection of the authors and of the authors’ rights, but also taking care of the public domain, of the social role of intellectual property, democratisation, universalisation, all of those contexts that should be referential to the work of an organisation like WIPO today already but mainly in the future. So like horizon, we were discussing horizon ahead of us for the next years. This is, I think, besides the regular day-to-day process of the subjects, and the multilateral and bilateral situations for WIPO, we should consider this advancing in terms of substance, of policy, I would even use the word ideology.

Not many people could have that conversation.

CASPAR = Openness

Something called "Cultural, Artistic and Scientific knowledge for Preservation, Access and Retrieval (CASPAR)" sounds like a typical money-wasting euro gravy-train. But the central problem it aims to address - "How can digitally encoded information still be understood and used in the future when the software, systems and everyday knowledge will have changed?" - is important, and becoming more so by the day.

Over long periods of time, you cannot hope to keep every wacky proprietary data format alive by storing copies of the relevant software: you'd also need to store old operating systems, software manuals etc. The only practical solution is to use open formats. For these, the information will be accessible long after the programs that created them have gone to the great data repository in the sky.