On the Road to Mendeley

Vic Keegan had an interesting article in the Guardian last week about a new site mendeley.com:

The music radio site Last.fm is one of the great ideas from the UK during the first dotcom boom. Users can listen to their own songs and other tracks recommended by Last.fm's algorithms based on their tastes, including iTunes, and those of friends. It could easily have been a one-trick pony. But now a few academics have applied its serendipity to scientific research. Why can't researchers, instead of waiting anywhere up to three years for their papers to jump all the hurdles, be part of a real-time market place – a fusion of iTunes and Last.fm for science? They pitched the idea, among others, to two of Last.fm's investors: Spencer Hyman and Stefan Glaenzer, newly enriched by the sale of Last.fm to CBS. They bought into the idea of using the site's principles to aggregate users' data (anonymously) while building up a databank of articles. Now the show is on the road and expanding fast. It is free, but a premium version will be added soon.

What's particularly fascinating is to see the cross-over of ideas from arts to science, and that both are driven by the insight that sharing with others brings huge benefits to them and to you.

Even though it's not open source, it's good to see that from the start there's a GNU/Linux version of the Mendeley client. Since the power of the site comes from the network effects of sharing, not the secret sauce hidden in the code, there doesn't seem to be any reason why that code shouldn't be opened up, and plenty of benefits in doing so. Now that Mendeley has started on its journey of sharing, let's hope they go the whole way.

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DRM's Deathmarch

Nice post from Ed Felten summarising the slow but unstoppable death of DRM. Telling tidbit:

it's interesting to see traditional DRM supporters back away from it. RIAA chief Mitch Bainwol now says that the RIAA is agnostic on DRM. And DRM cheerleader Bill Rosenblatt has relaunched his "DRM Watch" blog under the new title "Copyright and Technology". The new blog's first entry: iTunes going DRM-free.

If your best friends don't even want to know you, you know you're in trouble....

DRM is Dead!

Amazon just killed it with Amazonmp3:

Our files are free of digital rights management (DRM) software, so you can burn your songs to CDs, play them on all your computers, and transfer them to all your devices. Songs are encoded at 256 kbps (learn more), which means you get high audio quality at a manageable file size.

DRM'd music just became unsellable.

Microsoft Welcomes Openness and Standards

Here are some wise words on EMI's move to sell its entire catalogue without DRM:

Reindorp said the move could help Microsoft's effort, loosening the tight bonds between the iTunes store and the iPod.

"This does open things up a little bit," Reindorp said. "It potentially makes the competition more on a device-to-device or service-to-service basis. It will force the various services to really innovate."

Hmmm: now that's interesting. Microsoft reckons that opening things up is a good thing, because it will help it fight Apple on the basis of innovation. So how about if we "opened up" office formats, by opting for the vendor-neutral ODF?

The Great Content Taboo is Broken

This is what we've been waiting for:

EMI Music today announced that it is launching new premium downloads for retail on a global basis, making all of its digital repertoire available at a much higher sound quality than existing downloads and free of digital rights management (DRM) restrictions.

The new higher quality DRM-free music will complement EMI's existing range of standard DRM-protected downloads already available. From today, EMI's retailers will be offered downloads of tracks and albums in the DRM-free audio format of their choice in a variety of bit rates up to CD quality. EMI is releasing the premium downloads in response to consumer demand for high fidelity digital music for use on home music systems, mobile phones and digital music players.

The tracks are a little pricey:

Apple's iTunes Store (www.itunes.com) is the first online music store to receive EMI's new premium downloads. Apple has announced that iTunes will make individual AAC format tracks available from EMI artists at twice the sound quality of existing downloads, with their DRM removed, at a price of $1.29/€1.29/£0.99. iTunes will continue to offer consumers the ability to pay $0.99/€0.99/£0.79 for standard sound quality tracks with DRM still applied. Complete albums from EMI Music artists purchased on the iTunes Store will automatically be sold at the higher sound quality and DRM-free, with no change in the price. Consumers who have already purchased standard tracks or albums with DRM will be able to upgrade their digital music for $0.30/€0.30/£0.20 per track. All EMI music videos will also be available on the iTunes Store DRM-free with no change in price.

but that's not the point. A taboo has been broken, and things will never be the same again in the world of digital content.

Steve Jobs Gets Sane on DRM

A worryingly sensible viewpoint espoused here by Steve Jobs:

Imagine a world where every online store sells DRM-free music encoded in open licensable formats. In such a world, any player can play music purchased from any store, and any store can sell music which is playable on all players. This is clearly the best alternative for consumers, and Apple would embrace it in a heartbeat. If the big four music companies would license Apple their music without the requirement that it be protected with a DRM, we would switch to selling only DRM-free music on our iTunes store. Every iPod ever made will play this DRM-free music.

In a heartbeat? The cynic in me is suspicious: if DRM were dropped, then Apple would be subject to much more direct competition. So why would Apple ever do this? Is Steve Jobs angling for a Nobel Prize for Peace, or something? (Via Wired News.)

Update: Larry Lessig makes a good point here.

The Game God Speaks

I am not a gamer. Until recently, I had no idea who Raph Koster was. But the more I read of his stuff, the more impressed I am: he is clearly one of the deepest thinkers about the digital world today. Note that I do not say about games: for what he writes has ramifications far beyond the gaming world, and should be read by anyone with an interest in things digital.

Take his latest post, called "Are microtransactions actually the future?" This pieces ranges widely, touching on all the big issues that intellectual monopolies like copyright throw up. And he really gets it. For example:

since anything that can be seen by our senses can be reproduced, for better or worse, all digital forms of enforcing copyright are doomed to fail. Every form of encryption is moot, because everything must be decrypted in order for us to see it. At some point, the data is in the clear, and then it can be copied.

He then goes further, offering a suggestion about how content industries can and must cope with this ineluctable fact:

The value is in the service, not the content. In the service, not the microtransactions. A digital item is worth nothing. What is of value is the context. People are increasingly not willing to pay for the experience of hearing a song by itself in the abstract. They pay for the concert as a whole (the iTunes experience as a whole, the CD experience as a whole, the movie-going experience as a whole, the EverQuest experience as a whole), and it will be smart venue operators who survive and make the money in the long run.

Amen to that.

Who's Zuning Who?

Here's a nice thought:

We're figuring out that DRM isn't the best way to buy. And Microsoft can put the nail in the coffin in two, three, or five years when they end support for Plays For Sure formats--making sure all those tunes you bought while they were trying to attack Apple with Plays For Sure are just money wasted. In a few years, when we're all enjoying digitally watermarked music that, while it can't be plopped onto an illegal sharing site, can be played on any device, shared with a few friends or family members thanks to well-formed personal-use exemptions in U.S. copyright law, and inexpensive, flexible-format digital music stores give us no incentive to pirate music from seedy, virus- and porn-infested sharing sites, we'll look back on the Zune as the moment we all shook off our digital music stupor and said, "Whoa, wait a second. Why would we pay for this?"

Keeping DRM is a Win?

Someone who has clearly had their brain frazzled by the Steve Jobs Reality Distortion Field. Not opening up DRM is a win? Well, maybe for Apple, but certainly not for music lovers....

Time for Mac users to see the OSS light?

The good news just kept on coming in Steve Jobs's recent MacWorld speech: $5.7 million revenue in the last quarter for Apple; 14 million iPods sold during the same period; a run-rate of a billion songs a year sold on iTunes. And of course some hot new hardware, the iMac and MacBook Pro. What more could Mac fans ask for?

How about an office suite whose long-term future they can depend on?

Microsoft may have announced “a formal five-year agreement that reinforces Microsoft’s plans to develop Microsoft Office for Mac software for both PowerPC- and Intel-based Macs,” but Mac users would do well to consider the company's record here, as its has progressively shut down its line of Macintosh software. First, it dropped its MSN client, then Internet Explorer and more recently Windows Media Player.

Microsoft has good reason to hate Apple. Steve Jobs and his company represent everything that Bill Gates and Microsoft are not: hip and heroic, perfectionist yet popular. Apple has always been Microsoft's main rival on the desktop, but the appearance of Intel-based Macintoshes will make the company more dangerous than it has ever been. Probably the only reason that Microsoft has kept alive its Macintosh division is that it looks good from an anti-trust viewpoint: “See? We're not abusing our position – we even support rivals...”. The Macintosh version of Office may bring in money, but it's a trivial amount compared to the Windows version, and hardly worth the effort expended on it.

This means that the future of Microsoft Office for the Mac can never be certain. The agreement with Apple might be extended, but knowing Microsoft, it might not. At the very least, Microsoft is likely to ensure that the Windows versions of Office has advantages over the one running on the new Intel Macs – otherwise the incentive to buy PCs running Windows will be reduced even more.

So what should concerned Mac users do? The obvious solution is to move to an open source alternative. An important benefit of taking this route – one often overlooked when comparisons are made with proprietary offerings – is that free software is effectively immortal. Sometimes it goes into hibernation, but when the code is freely available, it never dies.

Just look at the case of the Mozilla Application Suite. The Mozilla Foundation decided not to continue with the development of this code base, but to concentrate instead on the increasingly successful standalone programs Firefox and Thunderbird. Had Mozilla been a commercial outfit, that would have been the end of the story for the program and its community. Instead, some hackers were able to take the old Mozilla Application Suite code and use it as the basis of a new project called SeaMonkey.

A similar desire to get things moving outside existing structures motivated the creation of the separate NeoOffice project, the port of the free OpenOffice.org office suite to run natively on MacOS X (there is also a version that uses the X11 windowing system). As the FAQ explains: “The primary reason that we stay separate is that we can develop, release, and support a native Mac OS X office suite with much less time and money than we could if we worked within the OpenOffice.org project.” This is hardly an option for the Mac Office team at Microsoft; so when Gates and Ballmer give Mac Office the chop, there will be no Redmond resurrections.

It is true that NeoOffice is not yet quite as polished as the versions on other platforms. And maybe Microsoft Office is superior – at the moment. But there is nothing that some hacking won't fix, and with serious support from the Macintosh community (and perhaps even financial help from Apple) any outstanding issues would soon be resolved. The emergence of OpenDocument as a viable alternative to Microsoft's Office formats only strengthens the case for switching to free software.

The wild excitement generated by Steve Jobs's MacWorld announcements is understandable, but also dangerous. Mac users may be so focussed on the hot new hardware as to forget something crucial: that, ultimately, it is the application software that counts. Macintosh enthusiasts should refuse the poisoned chalice that Microsoft is offering them with its generous offer to keep Office for the Mac on life support for a few more years, and instead should channel some of their famous passion into supporting the creation of a first-class, full-featured open source office suite.