Brazil's New Political Party: Green With A Shade Of Pirate

Techdirt has been following the rapid rise and current problems of the various Pirate Parties in Europe for some time. Both their success and difficulties flow in part from the fact that they do not fit neatly into the traditional political categories. This makes them attractive to those who are disenchanted with established parties, but also makes it hard for Pirate Parties to devise a coherent political program that they can seek to implement, for example through alliances with others. 

On Techdirt.

The Pirate Bay Press Release On SOPA: We Are The New Hollywood

Given its general contempt for the repeated attempts to close it down, you wouldn't expect The Pirate Bay to be particularly worried by SOPA. But in its very own press release on the subject, it goes much further: it flings the ultimate insult at Hollywood by claiming that not only are the two of them spiritual kin, but that The Pirate Bay is the New Hollywood. 

On Techdirt.

Real and Virtual Pirates

Far be it from me to give any publicity to the arch-enemy Disney (hawk, spit), but this story about the latter's plans for a MMORPG spin-off from the "Pirates of the Caribbean" film is of note. It shows clearly how virtual worlds are entering the mainstream alongside traditional, "physical" merchandising.

Of Kant and Cant

Sad to see the once-rigorous nation of Immanuel Kant falling for the, er, cant of the content industries in the copyright reform discussions:

But Jerzy Montag, Member of the Green Party opposition, sees this slightly differently. “The current reform draft is in some points friendly to industry and antagonistic to the interests of authors and creators,” he said. “We should give more rights to creators, but I am pessimistic here. And it makes me see red to think about how vehemently based on the current draft the CDU-SPD [Social Democratic Party] coalition wants to go after users.”

The target of Montag’s critique is a proposed change to establish criminal liability for illegal private copies. A mass complaint against 25,000 private users resulted in a clear statement of a court in Karlsruhe that it was unable to bear that load and therefore would not open proceedings in minor cases.

The German justice minister reacted with the introduction of a “bagatelle clause” into the draft proposal to limit criminal proceedings on commercial “pirates.” Yet after heavy criticism over legalising intellectual property theft from rights holders and some members of parliament, the minister withdrew the bagatelle clause (which refers to a minor case of no commercial relevance).

"Pirates", "intellectual property theft", and so on, and so on....

Why Linus is the Boss, er, Captain

Because he talks the talk:

She's good to go, hoist anchor!

Here's some real booty for all you land-lubbers.

There's not too many changes, with t'bulk of the patch bein' defconfig updates, but the shortlog at the aft of this here email describes the details if you care, you scurvy dogs.

Header cleanups, various one-liners, and random other fixes.

Linus "but you can call me Cap'n"

(Via Tuxmachines.org and ZDNet Australia.)

"Pirates" Redeeming 'Pirates'

I'm not keen on the term 'pirates' when applied to people who copy content; its one of those blatant attempts to pre-empt the debate by adopting a deliberately loaded terminology (rather like the idea of a 'war on terror'). My view is that pirates - the real ones - were a murderous and contemptible crew whose crimes are not even remotely comparable to those who transgress one-sided and disproportionate copyright laws, and therefore the two should never be associated.

But maybe I will need to re-visit my position. Although the reality behind pirates has not changed, the public perception probably has. And that's largely thanks to two films: Pirates of the Caribbean I and II. As a result of Johnny Depp's lovable rogue, equating those who infringe on copyright with pirates might actually make the former seem rather more admirable.

But there is something else interesting going on here. "Pirates", the film, is one of the most successful in recent times; and yet, as these figures show, it is also one of the most copied/'pirated' on the P2P networks. As noted by TechDirt, this goes to show in the most dramatic way possible, that

despite what movie execs say, their films can "compete with free" -- and do pretty well. Whether it's offering something more convenient, offering moviegoers a better experience, or using free content as a jumping-off point to sell people other stuff, there's lots of ways movie studios and theaters can thrive in the face of file-sharing. But to do that, they've got to own up to the obvious, and quit blaming piracy instead of changing how they do business.

British Music Industry See the Light - A Bit

I've written often enough about the rapacious, egotistical, and totally unreasonable demands of the recorded music industry when it comes to copyright, so it behoves me to record when part of it seems to be doing the right thing - at least, to a certain extent.

Apparently, the guardians of the British music industry, the BPI, have actually recommended to the on-going Gowers Review of "intellectual property" that you and I be allowed to copy our own CDs and records for personal use.

Now, you might have thought you could do that anyway, but in the UK the current legislation doesn't really allow it (but that's not surprising, since it was probably drafted when music technology meant men in tights playing lutes). So, two cheers for the BPI.

Well, maybe one: its Web site is still a pretty unedifying spectacle, full of the usual veiled threats to parents over their children's use of P2P software, and plenty of fanciful avast-there-me-hearties pirate stuff. But credit where credit's due: the Gowers submission is a step in the right direction. (Via TechDirt.)