Sweded Movies: The Fans Talk Back

One of the defining characteristics of the digital world -- and one of the problems for copyright law, which was conceived in an analog age -- is the importance of being able to build on the work of others not just indirectly, but directly, through mashups or the re-use of existing material. Stig Rudeholm points us to a fascinating feature in the Guardian about "sweded movies": home-made tributes to Hollywood titles that adopt precisely this approach of creative re-interpretation. The name apparently comes from the film "Be Kind Rewind", where DIY imitations of studio favorites are passed off as Swedish editions. 

On Techdirt.

Beethoven by Numbers

One of the reasons I am so excited by Spotify is that it is asymptotically approaching an online library of All Music. Even in its necessarily incomplete state, it offers amazing possibilities. For example, one of the key advantages of having all this stuff on tap is that it's possible to create playlists that mix and match in interesting ways.

Here's a great example: a playlist of Beethoven's works ordered by opus number. Now, I already have the Brilliant Classics boxed set of Beethoven's complete works on CD, but that's rather different. In particular, I can't move through the works by opus number easily.

Why might I want to do that? Well, it's an interesting journey through Beethoven's works - not strictly chronological, but historical in terms of what came out when. In particular, it lets me see at a glance all those odd little works that usually get overlooked - the opus 42, 105, 128 etc. that rarely pop up.

The other great thing about services like Spotify is that they let people share in interesting ways by passing on their playlists. It's a level above simply sharing the files themselves, and adds a richness to listening that is not otherwise easy to replicate. It's a hint of a world where all content is freely available online, and we can share and build on each other's insanely stimulating mashups.

Follow me @glynmoody on Twitter or identi.ca.

Brazil to Allow Private Copying and Mashups

I always said Brazil was a civilised country:

O MinC proporá que a cópia privada de qualquer tipo de obra digital seja permitida sem a autorização expressa ou remuneração ao titular para uso privado e desde que seja apenas um exemplar, além de permitir o uso do conteúdo original em outra mídia que não aquela que o consumidor comprou originalmente.

Na prática, quem comprou um DVD ou um CD poderá criar uma cópia de backup para uso próprio ou então poderá repassar o filme ou as músicas para o computador, trocando o suporte físico (como o disco plástico do CD ou DVD) pelo digital (esteja o arquivo em MP3, WMA e OGG ou AVI e MPEG).

...

A reforma prevê ainda "a utilização (...) de pequenos trechos de obras preexistentes, sempre que a utilização em si não seja o objetivo principal da obra nova e que não prejudique a exploração normal da obra reproduzida", dando respaldo legal à criação de mashups musicais ou visuais.

[Via Google Translate: The MinC propose that private copying of any digital work is permitted without the express permission or compensation to the owner for private use and provided that only one copy, and allows the use of original content in other media than the one that consumer originally purchased.

In practice, those who bought a DVD or CD can create a backup copy for personal use or you can pass on the movie or the music to your computer, changing the physical medium (such as the hard plastic of the CD or DVD) to digital (whether the file to MP3, WMA and OGG or AVI and MPEG).

...

The reform also provides for "(...) the use of short extracts from existing works, where the use itself is not the main purpose of new work and does not prejudice the normal exploitation of the work reproduced, giving legal backing to the creation of mashups music or visual.]

(Via Remixtures.)

From Smashup to Mashup

As somebody who is not wont to restrain himself when the UK government gets it hideously wrong on the IT front (hello, ID cards), it behoves me to offer a little praise when they get things right. This seems to be a rare and therefore welcome case of the latter:

The UK Government wants to hear your ideas for new products that could improve the way public information is communicated. The Power of Information Taskforce is running a competition on the Government's behalf, and we have a £20,000 prize fund to develop the best ideas to the next level. You can see the type of thing we are are looking for here.

To show they are serious, the Government is making available gigabytes of new or previously invisible public information especially for people to use in this competition. Rest assured, this competition does not include personal information about people.

We're confident that you'll have more and better ideas than we ever will. You don't have to have any technical knowledge, nor any money, just a good idea, and 5 minutes spare to enter the competition.

This is absolutely the kind of stuff that the powers-that-be should be encouraging. I'm not exactly wildly optimistic it will lead to a sea-change in their attitude to openness in general, but it's start. If you've ever had to suppress that wild urge to (s)mash up the UK government - and let's face it, who hasn't? - here's your big chance.

Flickrvision

I wrote recently about the wonderful WikipediaVision: be warned, if you thought that was good, you'll love Flickrvision too - and have even less time left to do useful things in your life.... (Via Commonsblog.)

In a Bit of a Scrape

"Mix and mash" lies at the heart of the power of openness: it allows people to come up with new, often better, uses of data, notably by cross-referencing it with yet more of the stuff to create higher levels of information. But as this Wired feature details, there is a tension between what the scrapers and the scraped want:

there's an awkward dance going on, an unregulated give-and-take of information for which the rules are still being worked out. And in many cases, some of the big guys that have been the source of that data are finding they can't — or simply don't want to — allow everyone to access their information, Web2.0 dogma be damned. The result: a generation of businesses that depend upon the continued good graces of a relatively small group of Internet powerhouses that philosophically agree information should be free — until suddenly it isn't.

Striking the right balance is tricky, but I think there's a way out. After all, if everyone can use everyone's data, there's a quid pro quo. The problem is when some give and others only take. (Via ReadWriteWeb.)

The Power of (Open) Information

Here's an important study, called The Power of Information, that is actually all about the power of *open* information:

This is an unusual review in that it is a story of opportunities rather than problems. It takes a practical look at the use and development of citizen and state-generated information in the UK. For example, information produced by the government (often referred to as ‘public sector information’) includes maps, heart surgery mortality statistics and timetables, while information from citizens includes advice, product reviews or even recipes.

Public sector information underpins a growing part of the economy and the amount is increasing at a dramatic pace. The driver is the emergence of online tools that allow people to use, re-use and create information in new ways. Public sector information does not, however, cover personal information, such as credit record and medical histories. This is the first review to explore the role of government in helping to maximise the benefits for citizens from this new pattern of information creation and use.

When enough people can collect, re-use and distribute public sector information, people organise around it in new ways, creating new enterprises and new communities. In each case, these are designed to offer new ways of solving old problems. In the past, only large companies, government or universities were able to re-use and recombine information. Now, the ability to mix and ‘mash’ data is far more widely available.

It's important not just for its mass of detail, and sensible conclusions, but because

Cabinet Office Minister Hilary Armstrong commissioned the report to ensure Government acted as a leader in understanding changes in communication and information technology.

The accompanying press release even describes it as "eagerly awaited". Hm, we shall see how eagerly from the Government's response....

Open Cities Toronto 2007

Open Cities Toronto 2007 is a weekend-long web of conversation and celebration that asks: how do we collaboratively add more open to the urban landscape we share? What happens when people working on open source, public space, open content, mash up art, and open business work together? How do we make Toronto a magnet for people playing with the open meme?

Sounds my sort of place. (Via Boing Boing.)

Heavenly Mashups

One of the most important innovations of the Web 2.0 era has been the mashup. As I've noted before, mashups really need underlying meshes, and geographical ones are an obvious type. But the amazing Wikisky shows that in many ways heavenly mashups are even better than earthly ones:

The main purpose of WIKISKY is to consolidate astronomical, astrophysical and other information about different space objects and astrophysical facts.

We hope to achieve this purpose using the principle of visualization. When a person reads an article about a star, the star is only the abstraction for that reader. The person cannot emotionally feel the reality of the star without actually seeing it. We strive to create an extremely detailed sky map to help everybody to better understand the information gathering about any space object and various phenomena connected with those space objects.

Aside from the joy of being able to zoom around and into the sky just as you would over Google Earth, and the awe-inspiring sight of thousands - millions - of major structures there (the Sloan Digital Sky Survey is simply gob-smacking), where Wikisky really comes into its own is in its annotation.

As you mouse-over objects, a pop-up gives you basic information. Clicking on that object takes you to a page with links to detailed images and - most importantly - to relevant papers. This is one reason why the heavenly mashup is superior to mundane ones: there is already a huge quantity of relevant, neatly-packaged information available for the objects on the mesh in the form of published scientific papers.

The only problem is that not all of this information is freely available (though often the preprint versions are): some of the papers requires subscriptions or one-off payments. This shows, once more, why open access to research papers is vital if we are to get the full benefit of such amazing sites as Wikisky: without it, mashups are frankly messed-up. (Via Open (finds, minds, conversations).)

Wordie for Wordies

How could I not love this totally pointless site? Actually, come to think of it, I'm sure it'll feed into some interesting mashups. (Via TechCrunch.)

Googly Earthy Mashups

And talking of Google Earth mashups, here's a fascinating list of speculations about what might be coming or, at least, possible.

Wikipedia in Google Earth

As I've mentioned before, mashups are all about the underlying mesh. And what better mesh for knowledge than Google Earth? And what better to mash it with Wikipedia? Here you are, then. (Via Openpedia.org.)

Unreal Mashups

This is getting seriously weird.

DestroyTV lets RLers watch an island in SL, using an embedded video camera (which is "in" both SL and RL). There are also screenshots (several thousand of them), over on Flickr, complete with a tag cloud. So which world are we in now?

A Time There Was

I've noted before how mashups depend upon the existence of some kind of mesh; typically this is geographical (which is why so many mashups draw on Google Earth), but time is another obvious option. A good example of how that might be applied can be seen in the new site The Time When.

The idea is beautifully simple: anyone can write short descriptions of why certain dates are important to them. Alongside the entries, there is information about what happened that day, who the monarch was and so on. But as Antony Mayfield astutely observes, you could go much further:

the application could be used in all sorts of ways - I guess some bright spark there is already mashing it up with Google Earth or some such so the memories can start to hang out in space as well as time, as it were

adding extra dimensions to the mesh.

It's worth pointing out that this idea comes from the BBC, which is fast emerging as a real hotbed of creativity when it comes to applying Web 2.0-ish technologies. And if you want to see want kind of stuff people put in their entries, you could always try this.

Open Data - Good; Open Access - Bad?

Great story in Nature about data mashups - the mixing together of data drawn from disparate sources to create a sum greater than the parts.

This approach is not new: it lies at the heart of open source software - where chunks of code are drawn from the specialised databases known as hackers' brains and stitched together - and open genomics. Indeed, bioinformatics represents a kind of apotheosis of the mashup - see, for example, the way in which data from many researchers is pulled together in a genome browser like Ensembl.

Data mashups are more recent, and have started to gain popularity thanks to Google Earth. This provides a useful and conceptually simple scaffolding for other data to be brought together and displayed - like Nature's own avian flu mashup.

A pity, then, that this paean to the virtues of open data is not itself freely available under an open access licence. (For the benighted, the indispensable Open Access News has a long quotation that conveys the essence.)