Pirated Buildings In China And The Rise Of Architectural Mashups

Although China is often glibly dismissed as little more than an imitator of others, yet another story about copying paradoxically shows it leading the way. That's because what's being cloned is an entire building complex that's still under construction: 

On Techdirt.

Costa Rican Students Fight For The Right To Photocopy Textbooks

One of the most important pieces of research to emerge last year was "Media Piracy in Emerging Economies". A central theme was that much unauthorized copying around the world is driven by attempts to impose Western-level prices everywhere, resulting in media goods that are simply beyond the reach of most people in countries whose economies are still developing. 

On Techdirt.

Outdated Compulsory Licensing Means Australian Schools Must Pay Millions To Use Free Internet Materials

Recently we wrote about how copyright rules designed for an analog age were causing problems when transposed without modification to the digital world. Here's another example, this time from Australia, where the Brisbane Times' site reports on an increasingly difficult situation in education as a result of outdated copyright approaches: 

On Techdirt.

Misleading Metaphors That Drive The War On Online Sharing

Certain terms crop up time and again in the arguments around copyright infringement and file sharing. Words like "theft" and "stealing" clearly represent an attempt to frame the debate in a certain way. That's hardly a new insight: many posts on Techdirt have pointed out these attempts to manipulate the discourse. 

On Techdirt.

Brazil to Allow Private Copying and Mashups

I always said Brazil was a civilised country:

O MinC proporá que a cópia privada de qualquer tipo de obra digital seja permitida sem a autorização expressa ou remuneração ao titular para uso privado e desde que seja apenas um exemplar, além de permitir o uso do conteúdo original em outra mídia que não aquela que o consumidor comprou originalmente.

Na prática, quem comprou um DVD ou um CD poderá criar uma cópia de backup para uso próprio ou então poderá repassar o filme ou as músicas para o computador, trocando o suporte físico (como o disco plástico do CD ou DVD) pelo digital (esteja o arquivo em MP3, WMA e OGG ou AVI e MPEG).

...

A reforma prevê ainda "a utilização (...) de pequenos trechos de obras preexistentes, sempre que a utilização em si não seja o objetivo principal da obra nova e que não prejudique a exploração normal da obra reproduzida", dando respaldo legal à criação de mashups musicais ou visuais.

[Via Google Translate: The MinC propose that private copying of any digital work is permitted without the express permission or compensation to the owner for private use and provided that only one copy, and allows the use of original content in other media than the one that consumer originally purchased.

In practice, those who bought a DVD or CD can create a backup copy for personal use or you can pass on the movie or the music to your computer, changing the physical medium (such as the hard plastic of the CD or DVD) to digital (whether the file to MP3, WMA and OGG or AVI and MPEG).

...

The reform also provides for "(...) the use of short extracts from existing works, where the use itself is not the main purpose of new work and does not prejudice the normal exploitation of the work reproduced, giving legal backing to the creation of mashups music or visual.]

(Via Remixtures.)

DVD Copying Software is "Illegal", but Copying?

In a decision that shows how ridiculously unclear the situation around copying DVDs is:

A federal judge ruled here late Tuesday that it was unlawful to traffic in goods to copy DVDs.

U.S. District Judge Marilyn Hall Patel’s ruling came in a decision in which she declared RealNetworks’ DVD copying software was illegal. She barred it from being distributed.

Patel said the RealDVD software violates the Digital Millennium Copyright Act of 1998 that prohibits the circumvention of encryption technology. DVDs are encrypted with what is known as the Content Scramble System, and DVD players must secure a license to play discs. RealDVD, she ruled, circumvents technology designed to prevent copying.

But the decision, although mixed, left open the door that copying DVD’s for personal use “may well be” lawful under the fair use doctrine of the Copyright Act, although trafficking in such goods was illegal.

Making backup copies etc. is so eminently reasonable that it needs spelling out by the courts. Paradoxically, not spelling it out is worse for the film industry, since the boundary of what is and is not (morally) acceptable are ill-defined, letting people make it up as they go along.

Do You Copy, RIAA?

Here's an important observation:

Though there is already a growing body of legal decisions that seem to be weighing against RIAA efforts to discourage individual consumers from copying content, the Howell decision is notable in that the judge went to particular pains to delve into the technological "hows" of file sharing as well as into legal precedents. In doing so, Judge Wake has challenged publishers pursuing such suits to recognize that the more that they go into these suits the more that they create a wide portfolio of rulings that begin to flesh out the full reality of electronic content use - a portfolio that over time has weakened rather than strengthened their claims to inhibit content copying. Put simply, the more that these suits continued, the more circumscribed their claims become and the more that their presumption of complete power over copying will weaken.

Kids Today - The People Tomorrow

Nice story here:

I just could not find a spot on the spectrum that would trigger these kids' morality alarm. They listened to each example, looking at me like I was nuts.

Finally, with mock exasperation, I said, "O.K., let's try one that's a little less complicated: You want a movie or an album. You don't want to pay for it. So you download it."

There it was: the bald-faced, worst-case example, without any nuance or mitigating factors whatsoever.

"Who thinks that might be wrong?"

Two hands out of 500.

Now, maybe there was some peer pressure involved; nobody wants to look like a goody-goody.

Maybe all this is obvious to you, and maybe you could have predicted it. But to see this vivid demonstration of the generational divide, in person, blew me away.

I don't pretend to know what the solution to the file-sharing issue is. (Although I'm increasingly convinced that copy protection isn't it.)

Er, David, it's called changing the business model. It is just not sustainable to try to enforce analogue-type laws on digital content, and ultimately it's counterproductive - as the music industry is finding to its cost.

Copying CDs is Worse Than Stealing Them

At least that's one implication of the proposed DMCA++. There are other interesting ways of putting it, too.