No Art Please, You're Not British

I thought we had got beyond this daftness:

A Cellist was held at Heathrow Airport and questioned for 8 hours this week. A terrorist suspect? False passport? Drug smuggling? If only it was so dramatic and spectacular. Her crime was coming to the UK with her cello, to participate in musicology conference organised by the School of Music at the University of Leeds and it was for this reason that Kristin Ostling was deported back to Chicago. What was UK Borders Agency (UKBA) thinking? That she would sell her cello to earn some cash, or do a spot of moonlighting at some secretive classical music gig, while she was here?

The Conference organiser, Professor Derek Scott informed the Manifesto Club that “She was not being paid a penny for this, but these zealous officers decided that playing a cello is work and, paid or unpaid, she could not be allowed in.”

Lovely logic here: if you are a professional cellist it follows that putting bow to string is work, and therefore not permitted according to the terms of your visa. And as the article explains, it's the same for painters and photographers: if you dare to create a masterpiece here in the UK, you might end up being deported, and blacklisted.

Now, call me old fashioned, but it seems to me that we should actually be *begging* artists to come here and create: it not only enriches the cultural ecosystem based on the UK and all it contains, it makes it more likely that other artists and non-artists will want to come to the country to see where these works were spawned, bringing with them all that valuable touristic dosh that everyone seems to be scrabbling after these days.

But the problem is really deeper than this simple loss of these earnings. What is really disturbing is the crass way the UK Borders Agency equates artistic creation with work: if you act as an artist - even if you are not paid - you are theoretically doing something that should have a price on it. This is really part and parcel of the thinking that everything should be copyrighted and patented - that you can't do stuff for free, or simply give away your intellectual creations.

It's a sick viewpoint that leads to kind of shaming situations described above. And of course, in the usual way, the people imposing these absurd practices haven't though things through. After all, if musicians can't play, or artists paint, when they come to the UK, surely that must mean by the same token that visiting foreign mathematicians can't manipulate formulae, and philosophers are forbidden to think here...?

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Somebody Gets a (Second) Life

These guys were the new philosophers, and they had discovered a way to be involved in the latest technologies of the day, and not just from an engineering perspective, but from the perspective of how that technology would change our lives and possibly even the nature of humanity. Having that sort of knowledge, being in a position to see and grasp something like that is heady stuff, and in my heart of hearts I really think that all the money – the hundreds of millions of dollars – is just game currency to these guys. It keeps them in the game and if you are winning the game you get to be intimately involved in the companies that are rewiring our minds and our communities and changing the nature of humanity itself.

Er, what took so long?

...and Went Down to the Sea

"Open": it's such a small word (and a strange one at that: stare at it long enough and it begins to look like something from another tongue). It's much used, and very abused these days. But that's to be expected, since it's fast becoming where so many other currents and trends are heading. Everyone, it seems, wants to be open.

That's what these pages are all about: how "openness" - as manifested in open source, open genomics, open content and all the other opens – lies at the heart of most of what's interesting in technology today. And not only. Just as technology is making its presence felt in so many other areas of life, so the open movements and their philosophies are feeding through there, too.