A Three-Dimensional Approach to Content Sales

One of the recurrent themes on this blog is the transition from a world of analogue content to one that is purely digital - and hence trivially copiable. The refusal of the media producers to recognise this shift is at the root of most of the problems they face in terms of declining sales and increasing unauthorised copying. Another recurrent idea has been the solution to this problem: to give away the digital but make money from the analogue.

Here's someone else with a nice observation that meshes with this perfectly:

Last Friday I was at a movie preview for a concert movie called U23D, which, as you will correctly surmise, was a U2 concert filmed in digital 3D.

A few weeks ago I saw the new film Beowulf, also in 3D.

As I look out the office window to the AMC Loews on 84th St, I see that the marquee is already pitching Hannah Montana 3d, not due out until February.

And outside that same theater is a 3d movie poster for the upcoming Speed Racer movie.

Suddenly everything is floating in space, after decades of flatness. What gives?

The answer?

Could it have something to do with the fact that a 3d movie cannot be pirated?

According to IMDB, the LA premier of Beowulf was on November 3, 2007 and the film was officially released in the US on November 16. On the other hand, according to vcdquality (a news site that announces the “releases” of films into various darknets) it was already available for file sharing by November 15.

Isn’t it just possible that the studios were thinking: Hey guys, I know you could just download this fantasy flick and see it on your widescreen monitor. But unless you give us $11 and sit in a dark theater with the polarized glasses, you won’t be seeing the half-naked Angelina Jolie literally popping off the screen!

The Battle for the Soul of WHOIS

I am sufficiently long in the Internet tooth to remember the blissful days before ICANN existed. I say blissful, because from where I sit practically every change it has wrought has led to a degradation of the Internet's naming system: it is more driven by financial rather than technical concerns, more subject to lobbying, and generally more of a mess than it was ten years ago.

And now it looks like ICANN is up to yet more of the same, according to this post by Doc Searls about the battle for the soul of WHOIS (and doncha just the Beowulf references?):

Raise your hand if you use whois every day. Even if your hand isn't up, and you just regard whois as am essential sysadmin tool, this post is for you.

Because if you're interested in keeping whois working for the those it was made for in the first place, you need to visit the battlefield where whois' future is being determined right now. That is, you must be Beowulf to the Grendel that is the Intellectual Property Community. Worse, you must confront him in the vast cave that is ICANN.

Except ICANN is more like Grendel's cave, only a helluva lot bigger, and far more boring. It's easy for an outsider to be daunted by ICANN's labyrinthine bureaucracy, its complex processes, its mountain of documents, the galactic scale of its influence, the ecclesiology of its high-level gatherings and its near-countless topics of concern.

The real problem is summarised thus:

the intellectual property folks see whois as their enforcement database, and are working toward making that its primary purpose. Those two purposes are at odds, and that's what the debate is all about. Except so far the public comments have come mostly from just one side.

This is largely because of the completely opaque way in which ICANN operates. If I had my way, we'd get rid of it entirely, and start again; but given the vested interests at play, that's not exactly likely to happen.

Is that an 8-Node Beowulf Cluster in Your Pocket...?

...or are you just glad to see me?

Little-Fe is a complete 4 to 8 node Beowulf style portable computational cluster. Little-Fe weighs less than 50 pounds, easily and safely travels via checked baggage on the airlines, and sets-up in 10 minutes wherever there is a 110V outlet and a wall to project an image on. By leveraging the Bootable Cluster CD project, and its associated curriculum modules, Little-Fe makes it possible to have a powerful ready-to-run computational science and HPC educational platform for under $2,500.

I want several of these, please. (Via KnowProSE.com.)