Set My Libri Free

Everybody knows about Project Gutenberg, which aims to provide texts of as many public domain books as possible. One freedom that is available for such texts is to create spoken versions of them. Librivox is aiming to do just that:

LibriVox volunteers record chapters of books in the public domain, and then we release the audio files back onto the net (through a podcast, catalog, and bit torrents). We are a totally volunteer, open source, free content, public domain project, and we operate almost exclusively through Internet communications.

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We get most of our texts from Project Gutenberg, and the Internet Archive and ibiblio.org host our audio files.

Not only that, but it offers its files in both the well-known - but proprietary - MP3 format, as well as the less well-known but free and deliciously-named ogg format. Another unexpected plus of the project, is that it can offer several versions of the same text, allowing all kinds of interesting comparisons to be made - to say nothing of cool reworkings.

There is also a small but select group of texts in languages other than English. (Via Creative Commons.)

Turbo Wizpy

A long time ago, TurboLinux was a cool company with a turbo-charged CEO, Cliff Miller. As I wrote in Rebel Code:

Born in San Francisco, he had lived in Australia for a year as a child, and then went to Japan for two years, where he stayed with a Japanese family and attended a public school. After he moved back to the United States, Miller attended college, and spent a year in Macedonia, then a part of Yugoslavia, to further his studies of the Macedonian language. "I finished my BA when I was nineteen," he explains, "and then a year later got my MA in linguistics as well," and adds with what amounts to something of an understatement, "I tend to be pretty intense, and just get through things as fast as I can."

But that was in another land; Miller moved out, TurboLinux moved on.

And now here it is, with a dinky little object that sounds, well, cool:

It's an MP3 player. It's an FM radio. It's video and photo display device. It's an e-book reader. It's a sound recorder. It's a Linux-based personal computer ready for web, email and office usage. Yes, it's Wizpy, the Swiss Army Knife of handheld gadgets announced by Japan's Turbolinux this week.

I particularly liked this feature:

Just plug it into a PC's USB port, restart the host machine and it'll boot up into the open source operating system so you can surf and work and be sure nothing's being recorded on the hard disk.

The Opens.mp3

If you really have absolutely nothing better to do, you could always listen to me wittering on about the opens at the British Computer Society a couple of weeks back. You can even read the book of the mp3 at the same, for double delight.

Now That's What I Call EMusic

Good to see that the world's best music download service is coming to this side of the pond. Now if they only had a few duduk tunes....

Eric's Saga

Eric Raymond - ESR - is a curious chap.

Interviewing him was definitely one of the highlights of researching my book Rebel Code: there was a thoughtful intelligence behind his replies that seemed perfectly of a piece with his most famous contribution to the open source world, The Cathedral and the Bazaar.

And then we have Eric's blog, entitled "Armed and Dangerous." The kindest thing I can say about this is that here ESR comes across as a thinking person's Michelle Malkin.

It therefore comes as something of a relief to see that Eric has posted very little to his blog recently. Indeed, he's generally pretty low profile these days, which makes his appearance at LinuxWorld and the dispensation of traditional non-blog Eric wisdom there all-the-more welcome.

According to The Reg:

Raymond said the community is not moving fast enough to engage with non-technical users whose first-choice platform is either an iPod, MP3 player or Microsoft desktop running Windows Media Player.

With iPod holding a massive market share and Windows Vista coming down the pipe, Raymond warned that Linux risks getting locked out of new hardware platforms for the next 30 years unless it proves it can work with iPods, MP3s and WMP.

I think this is a good point: for many, computers are really just big bits that you attach to an iPod or MP3 player, and so it's vital that GNU/Linux be able to play nicely here.

Fortunately, the WMP side is being sorted, and the MP3 handling was always quite good. The main problem is really Apple, with its wretched DRM. It's hard to see Steve Jobs finally seeing the light (he's probably too blinded by his own aureole), so it's clearly down to the community to come up with solutions.

Obviously...Not

The Association of Learned and Professional Society Publishers (ALPSP) has released its response to the British Library's Content Strategy. It's a wonderful demonstration that they don't really know what is going to hit them:

We believe that a shift towards the provision of online rather than physical access is appropriate. However, customer expectations of what is possible with online content are limited only by the capabilities of the technology, and not by realistic business considerations; at the extreme, every UK citizen might expect free online access, and unhindered re-use, at home or at work to everything in the Library’s collection, which would obviously destroy the market for publishers.

Obviously. Not.

Saying that online access will "obviously" destroy the market for publishers is akin to saying - as was said - that television will obviously kill the cinema, that the cinema will obviously kill the theatre etc. etc. Those who are the gatekeepers of older technologies always fear new ones that will reduce their powers. But what happens is that new technologies tend to create new opportunities even for the older ones they appear to threaten - at least to those who are open-minded enough.

Two classic examples: MP3s have created a huge demand for songs that are no longer in the catalogues, and P2P networks are full of videos of old television shows. Think how much money they owners of these materials could make if they decided to satisfy this demand themselves, instead of trying to stifle it.

It's the same with books. Providing online versions does not kill the need for books; indeed, it is likely to encourage people to buy more, for one very simple reason. The text that you read online is not the text you read in a book, even though the characters are similar: it lacks the physical experience of bookness. It is that - not the text - that book publishers are ultimately selling.

"Obviously", judging by the comments above, and by many others elsewhere, it's going to take a long hard battle to din this idea into the heads of those in the publishing industry. (Via Open Access News.)

Death to the Podcast

"Podcast" is such a cool word. It manages to be familiar, made up as it is of the odd little "pod" and suffix "-cast", as in "broadcast", and yet cheekily new. Pity, then, that it's completely the wrong term for what it describes.

These are simply downloadable mp3 files. The "pod" bit is a misnomer, because the iPod is but one way to listen to them: any mp3 player will do. And the "-cast" is wrong, too, because they are not broadcast in any sense - you just download them. And if they were broadcast across the Internet, then you'd call them streams - as in "podstream", rather than "podcast".

Given my long-standing dislike of this term - and its unthinking adoption by a mainstream press terrified of looking uncool - I was pleased to come across Jack Schofield's opinion on the subject, where he writes:

[P]odcasting's main appeal at the moment is time-shifting professionally-produced programmes. It's a variant of tape recording, and should probably be called AOD (audio on demand).

AOD: that sounds good to me, Jack.

His wise suggestion comes in piece commenting on the release of a typically-expensive ($249 for six pages) piece of market research on this sector from Forrester Research.

Many people have taken its results - the fact that only 1% of online households in the US regularly download and listen to AOD - to indicate the death of the medium. I don't agree: I think people will continue to enjoy audio on demand in many situations. For example, I regularly return to the excellent Chinesepod site, a shining example of how to use AOD well.

But even if the downloads live on, I do hope that we might see the death of the term "podcast".

VIIV, DRM, and Fair Use: the Big One

The ever-acute Doc Searls reports on the CES keynote from Intel CEO Paul Otellini. Given Searls' position as an alpha blogger, it was inevitable that this was a live, minute-by-minute blog - and yes, it did include the obligatory moan about the missing WiFi connection.

But what is really important about this posting is that it makes plain VIIV's role as the platform that broadcasters and music companies - with indispensable help from a willing Intel and Microsoft - will use in their latest attempt to take complete control of content.

I already knew in 2000 that all this was coming. I knew because Eben Moglen, the legal brains behind the free software movement, and an extremely wise, articulate and modest man, told me so when I was writing Rebel Code:

Let's think of the Net for a change as a collection of pipes and switches, rather than thinking of it as a thing or a space.

There's a lot of data moving through those pipes, and the switches determine who gets which data, and how much they have to pay for it downstream. And of course those switches are by and large what we think of as digital computers.

The basic media company theory at the opening of the twenty-first century is to create a leak-proof pipe all the way from production studio to eyeball and eardrum. The switch that most threatens that pipe is the one that at the end. If the switch closest to your eyeball and eardrum is under your complete technical control, the whole rest of the aqueduct can be as leak-proof as you like, and it won't do them any good. And the switch is under your control, of course, if the software is free software.

So for the great VIIV plan to work, free software has to be shut out from the equation. This means no DVDs, no DRM for GNU/Linux - for the simple reason that truly free software always gives you the possibility of evading the software controls that are in place.

And for those of you who say, well, provided we have our traditional fair use rights, what's the problem? - this is the problem. Draft US legislation would effectively freeze your rights to existing technologies: had this been the case in the past, you would not have fair rights to burn MP3s from your CDs, or even videotape TV programmes.

There is no halfway house in this coming war, no compromise position: either you hand carte blanche to the film and music industries to decide what you can do with the content you buy, or else you fight for the right to decide yourself.

This is the Big One.