The Getty Gets It: 'Open Content, An Idea Whose Time Has Come'

Techdirt has published a number of posts that explore the issue of whether art organizations can stop people sharing images of works in their collections when the latter are indisputably in the public domain. Even if museums might be able to claim copyright in their "official" photographic images, the more important question is whether they ought to. The good news is that some institutions are beginning to realize that using copyright monopolies in this way contradicts their basic reason for existing -- to share the joy of art. Here, for example, is a wonderful statement of that principle from the Getty Museum entitled "Open Content, An Idea Whose Time Has Come": 

On Techdirt.

Jewel in the Open Content Crown Needs Help

Far too few people know about LibriVox:

LibriVox volunteers record chapters of books in the public domain and release the audio files back onto the net. Our goal is to make all public domain books available as free audio books.

Think about that: turning all public domain books into free audio books. That would be a wonderful resource, and not just for the visually impaired, for whom it is a tremendous boon.

But as is often the case, this fine project is put together by volunteers, with no funding, and that's now a problem:

For four-and-a-half years, LibriVox volunteers have been making audiobooks for the world to enjoy, and giving them away for free. We’ve made thousands of free audiobooks that have been downloaded by millions of people; our site gets 400,000 visitors every month. To date, all our costs have been borne by a few individuals, with some generous donations from partners. However, these costs have become too big.

All they need is $20,000 - a paltry sum for such an incomparably rich holding. Please use the "Donate Now" button on their site to give to them so that they can continue to give to us immeasurably more.

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Welcome to the Free Technology Academy

How did I miss this amazing project?

The expansion of Free Software has brought together a continually growing global community of developers, by offering solid quality products which have not gone unnoticed in business, government and academic circles. Big players such as Novell, IBM and SUN have brought Free Software into their business models, and many more SMEs provide professional services around Free Software. The European Commission and many national, regional and local governments have started adopting open standards and show a preference for Free Software to cover their IT needs.

Although there is a growing interest in free technologies (Free Software and Open Standards), still a limited number of IT professionals, teachers and decision makers have sufficient knowledge and expertise in these fields. This is particularly problematic since these are crucial actors in promoting and implementing free technologies.

So where does the Free Technology Academy fit in?

In order to tackle this problem, the Free Technology Academy (FTA) is being set up as a distance learning programme. This distance learning programme consists of specific modules to enable IT professionals, students, teachers and decision makers to upgrade knowledge and acquire relevant skills on free technologies. Those users interested in getting a master degree could complete their study and get a master degree at one of the participating universities.

...

The FTA's main goals are twofold. First, to set up a virtual campus offering course modules on Free Software and Open Standards with teaching staff from the participating institutions; and second, to become a showcase of a virtual campus based on FS, OS and the use of Open Educational Resources, in order to promote its use in other institutions. The programme will acquire its shape through close cooperation between higher education institutions and
social and private organisations.

To this end a virtual campus is created where open educational materials are available and users will be able to follow specific course modules on:

1. the Introduction to Free Software and Open Standards;
2. the GNU/Linux Operating System;
3. Network Technologies;
4. Web Applications development;
5. Economical models;
6. Legal aspects of the Information Society;
7. Software development and
8. Case studies.

Even better:

Educational materials in the FTA will be released under free licenses in line with the philosophy of the free knowledge and open educational resources movement. The educational content necessary to complete the curriculum will be developed using the SELF platform, a tool for the collaborative development of educational materials. These materials will comply with dominant open standards such as SCORM and IMS, thus enabling the seamless exchange with other educational platforms.

Sounds a perfect storm of open source, open content, open courseware and open educational resources. Kudos. (Via LWN.net.)

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Openness as the Foundation for Global Change

What do you do after Inventing the Web? That's not a question most of us have to face, but it is for Sir Tim Berners-Lee. Heading up the World Wide Web Consortium to oversee the Web's development was a natural move, but valuable as its work has been, there's no denying that it has been sidelined somewhat by the rather more vigorous commercial Web activity that's taken place over the last decade.

Moreover, the kind of standards-setting that the W3C is mostly involved with is not exactly game-changing stuff – unlike the Web itself. So the recent announcement of the World Wide Web Foundation, also created by Sir Tim, has a certain logic to it.

Here's that new organisation's “vision”:

On Open Enterprise blog.

Open Government: the Latest Member of the Open Family

One of the most exciting developments in the last few years has been the application of some of the core ideas of free software and open source to completely different domains. Examples include open content, open access, open data and open science. More recently, those principles are starting to appear in a rather surprising field: that of government, as various transparency initiatives around the world start to gain traction....

On Linux Journal.

The Real Reason to Celebrate GNU's Birthday

As you may have noticed, there's a bit of a virtual shindig going on in celebration of GNU's 25th birthday (including Stephen Fry's wonderfully British salute, which really, er, takes the cake....). Most of these encomiums have dutifully noted how all the free and open source software we take for granted today – GNU/Linux, Firefox, OpenOffice.org and the rest – would simply not exist had Richard Stallman not drawn his line in the digital sand. But I think all of these paeans rather miss the point....

On Open Enterprise blog.

The Evolution of Knowledge

This is moving in the right direction - towards *all* knowledge, freely online for *everyone* to use in *any* way - rather like free software:

Darwin's private papers online - the largest publication of Darwin's papers in history. Read about it here. Browse the papers here.

This site contains Darwin's complete publications, thousands of handwritten manuscripts and the largest Darwin bibliography and manuscript catalogue ever published; [Click to enlarge] also hundreds of supplementary works: biographies, obituaries, reviews, reference works and more.

Almost all is online only here: such as 1st editions of Voyage of the Beagle, Zoology, Descent of Man, all editions of Origin of Species (1st, 2d, 3d, 4th, 5th & 6th); important manuscripts: Beagle Diary & field notebooks, Journal, transmutation notebooks and Autobiography.

Forthcoming: more editions, translations, introductions & manuscripts.

But:

These materials may be freely used for non-commercial purposes and distribution to students; republication in any form requires written permission.

Why? Isn't knowledge for sharing?

Ah well, it's a good start.

Open Textbooks - An Idea Whose Time has Come?

Well, there's this call for affordable textbooks, including open textbooks:

One thousand professors from over 300 colleges in all 50 states released a statement today declaring their preference for high-quality, affordable textbooks, including open textbooks, over expensive commercial textbooks.

Open textbooks are complete, reviewed textbooks written by academics that can be used online at no cost and printed for a small cost. What sets them apart from conventional textbooks is their open license, which allows instructors and students flexibility to use, customize and print the textbook. Open textbooks are already used at some of the nation’s most prestigious institutions - including Harvard, Caltech and Yale - and the nation’s largest institutions - including the California community colleges and the Arizona State University system.

And then, as if on cue, we have a company, Flat World Knowledge, offering open textbooks:

Our books might feel like your current book – for a minute. They are written by leading experts, and are peer- reviewed, edited, and highly developed. They are supported by test banks, .ppt notes, instructor manuals, print desk copies, and knowledgeable service representatives. There the similarity ends.

Instead of $100 plus, our books are FREE online. We don't even require registration! Students just enter the URL they're given by their instructor and start reading. It's that easy. No tricks. No popup ads. No "a premium subscription is needed for that". In fact, our free books go beyond what standard print editions provide with integrated audio, video, and interactive features, powerful search capabilities, and more.

What's particularly interesting for me is the business model behind the open textbooks:

Our business model eliminates the catch. We're giving away great textbooks and making them open because it solves real problems for students and instructors. In so doing, we are creating a large market for our product. We then turn around and sell things of value to that large market – more convenient ways to consume our free book (print, audio, PDF) and efficient ways to study (study aids). Sure, we’ll make less money per student than the big guys. But that’s okay. We’ll be selling to a lot more of them, and we’ll be doing it for a lot less money (thanks to technology like web-hosted services, XML, print-on-demand, and more).

Which is, of course, the "classic" approach - well, at least around here - for free content: making money *around* the free stuff. Let's hope it works - we could all do with more quality open textbooks.

KDE + Wikimedia.de = Wikkimedia.DE?

Interesting:

KDE e.V and Wikimedia Deutschland have opened a shared office in Frankfurt, Germany. As two organizations that share similar goals and organizational challenges, they hope that working out of the same space will strengthen and expand their links to the Free Culture community, as well as allowing them to share resources, experience and infrastructure.

"We believe that the combination of Free Software and Free Content is not only beneficial," remarked Sebastian Kügler, a KDE e.V. board member, "but the next logical step towards a mature, organized Free Culture community." Kügler explains the idea behind opening the shared office: "Being able to tap into the expertise of an organization in a different field, but with very similar goals and principles, provides us with an opportunity to grow and gain experience that I hope to see more often, both within our projects and those of our peers."

Open Media Definitions

Definitions matter. If you want to see why, compare the worlds of open source and open access. The very specific definition of what is open source - having an OSI-approved licence - means that it is relatively easy to police. Open access, by contrast, does not have anything like a tight, "official" definition, with the result that less scrupulous publishers try to pass off their wares as open access if it's vaguely open or vaguely accessible. (That, BTW, seems to me a very strong argument for something to be set up along the lines of the OSI, to give its stamp of approval to open access resources. Are you listening, Peter?)

For this reason, trying to define open media is an excellent move:

With the change in the media climate and distribution experiments such as Radiohead’s In Rainbows (in music), and Four Eyed Monsters (in film) which have open qualities (temporarily available to watch or listen/download for free, for example) but are not truly open content, it is getting harder to tell what you can and cannot officially do with your media.

These are three proposed states for open media, each building on the next:

Open (O-):
The baseline, concerned with freely consuming and sharing the content (1-3)

Open source (O):
Being able to view and remix the source files (1-5).

Open Plus (O+):
The ability to participate in a transparent, documented process (1-8).

* 1. Freely accessible
Available to stream, or download without a fee. Should be available via direct download and P2P media, so it is not behind a gateway.
* 2. Freely available.
Permanently available without DRM, or release windows. The end user able to share the work without restriction.
* 3. Freely viewable
Available in multiple formats, and to be converted freely (in the case of video works, for example, as dvd, xvid/divx, mp4, and HD formats).

The above qualities are essential for open content. Open source content adds to the cultural commons by making creation of new content from the work.

* 4. Giving source files
Source media, such as rushes and raw graphics files should be archived and available for other creators to work with.
* 5. Allowing remixing
Materials should be licensed explicitly to allow derivative work (eg. other works based on the script, or video mashups, and remix edits) for at least non-commercial/artistic purposes. Creative Commons and other licenses are available for flexible copyrighting.

Open Plus adds more opportunities for participation and involvement in the work whether as a creator, or as part of what used to be called ‘the audience’.

* 6. Reveal the process
Allowing access to not only the final source media, but work-in-progress material and software files, adding another layer of transparency and documentation.
* 7. Open contribution
Adding ways to influence and participate in the creation of the original work through various types of community/audience involvement (opportunities such as open crewing, direct feedback or contribution mechanisms).

I think this is really important work: let's hope it can be built on. Open Media Initiative, anyone? (Via P2P Foundation.)

Freeing The Future of Ideas

Larry Lessig's The Future of Ideas is one of the key books of the open content world, so it's particularly appropriate that it should now be freely available as a download.

Read it. Now.

Applied Cryptography Revealed

On Open Enterprise blog.

*The* e-Primer on Open Content

Independently of the fact that it's probably the best single intro to open content currently available, how could anyone resist a publication that has a gnu and penguin sitting together on its front cover?

If you *do* need more, try this:

This e-Primer introduces the idea of Open Content by locating it within the larger historical context of copyright’s relation to the public domain. It examines the foundational premises of copyright and argues that a number of these premises have to be tested on the basis of the public interest that they purport to serve. It then looks at the ways in which content owners are increasingly using copyright as a tool to create monopolies, and how an alternative paradigm like Open Content can facilitate a democratization of knowledge and culture.This e-Primer focuses on some of the implications for policy makers thinking about information policies, and the advantages that the Open Content model may offer, especially for developing countries.

(Via Open Access News.)

Public Domain Search

One of the big advantages of open content is that there are no problems with indexing it - unlike proprietary stuff, where owners can get unreasonably jumpy at the idea. Public domain materials are the ultimate in openness, and here's a basic search engine for some of them:

major public domain sites were chosen, the most important being the US federal government sites. government:

* .gutenberg.org
* .fed.us
* .gov
* .mil

But there are plenty of exclusions. Also, it's a pity this is only for the US: the public domain is somewhat bigger. (Via Open Access News.)

Modular Magazines

After modular books, now this:

Google may soon begin to offer users the ability to create customized, printed magazines from Internet content. And print ads included in the magazine would be customized, too.

The future is modular.

Modular Books

Modularisation is one of the key elements of open processes: so why can't we have modular books? Well, we can, up to a point:

On Wednesday, the Arizona community college announced a partnership with Pearson Custom Publishing to allow Rio Salado professors to piece together single individualized textbooks from multiple sources. The result, in what could be the first institution-wide initiative of its kind, will be a savings to students of up to 50 percent, the college estimates, as well as a savings of time to faculty, who often find themselves revising course materials to keep pace with continuously updated editions.

However, this is only with texts from one source: imagine if you could do this with *any* text. (Via if:book.)

Flickr: Happy Two Billionth!

Flickr has reached its two billionth picture: and that's just the beginning....

Writing the Book on Open Documentation

One of the things I really like about Matt Asay's blog is its total candour, which extends to handing out what most companies would regard as confidential business information:

the vast majority of our deals are fed by two direct sources: those who read our documentation and those who actually download and try our Enterprise code. Now, we also know that most of these people first start with our Community code (and often evaluate it for months, reading documentation and visiting our website in the meantime).

What does this mean? It means that if our demand generation software is telling us that someone has both read documentation and evaluated Enterprise, the odds of them buying support from Alfresco are huge. We want to be calling that prospect immediately.

But it also means that documentation is a huge opportunity for open-source companies to drive sales. Documentation is often treated as the shabby cousin of software development, but it is really the essential link between development and dollars. It's hard to motivate good documentation.

The other lesson I'd draw from this is that open source (and selling it) is far less about the code than you might think. Similarly, I'd say that open content, for example, is not just about the raw words, images or the sounds, but very much the "documentation" - that is, the packaging/service - that you provide around it, too.

Live CD + Open Content = LiveContent

And about time too:

LiveContent is an umbrella idea which aims to connect and expand Creative Commons and open source communities. LiveContent works to identify creators and content providers working to share their creations more easily with others. LiveContent works to support developers and others who build better technology to distribute these works. LiveContent is up-to-the-minute creativity, "alive" by being licensed Creative Commons, which allows others to better interact with the content.

LiveContent can be delivered in a variety of ways. The first incarnation of LiveContent will deliver content as a LiveCD. LiveCDs are equivalent to what is called a LiveDistro. LiveCDs have traditionally been a vehicle to test an operating system or applications live. Operating systems and/or applications are directly booted from a CD or other type of media without needing to install the actual software on a machine. LiveContent aims to add value to LiveDistros by providing dynamically-generated content within the distribution.

Let's hope this catches on - we need more synergy in the world of openness.

Rock On, Amarok

Interesting:

Magnatune, a record label that uses a CC BY-NC-SA license for all releases (Magnatune founder John Buckman is also on the CC board), has just hired free software developer Nikolaj Hald Nielsen to work on Amarok, a free software media player.

While software and services companies for years have hired many free software developers to continue to work on their free software projects and employees of open content companies have contributed to free software projects, this may be the first time an open content company has hired a free software developer to work on the developer’s free software project.

I suspect this will be the first of many such hires. Open content companies are growing and often are highly dependent on free software for infrastructure and end user services.

I agree: as open content becomes more of an economic force we can expect the synergy between it and open source to become more explicit.