One of the interesting trends over the last few months has been the increasing activity in the field of open data. In the UK, this has been given new impetus by the incoming government, which has promised to make much more government data available (although to what extent that will actually happen remains to be seen).
On Open Enterprise blog.
Understandably, commentators are getting excited over the fact that according to one survey Internet Explorer has gained browser market share for the second month running. Not only that, but Firefox has lost market share for the third month running. Should Mozilla be worried?
On Open Enterprise blog.
As regular readers will know, I regard the concept of the commons as an increasingly important one, not least because it pulls together threads found in many disparate areas. But one consequence of that richness and broad reach is that a unitary idea of the commons is not enough: we need a taxonomy of the many different kinds of commons to help us tease out their particular characteristics in different situations.
Here's one such attempt:The Five Commons constitutes an evolving vision of the emerging 21st Century economy. Each of the five commons represents a key area in which transition is apparent.
The Forward Foundation hopes that by sharing this vision, people will find clues and insights into new ways of structuring human activity and sustainable living.
Five Commons Presentations
Here are links to presentations of each of the Five Commons.
* Thing Commons
* Culture Commons
* Energy Commons
* Food Commons
* Access Commons
The associated presentations are well-worth watching - they're quite short.
Those are interesting choices, but I can't help feeling they're somewhat arbitrary. I also miss there any sense of the key differences between certain commons.
For example, there is a huge gulf between non-rivalrous digital commons, and rivalrous analogue ones. Where the latter can suffer the "tragedy of the commons", the former cannot. Similarly, there's a big difference between environmental commons like air, sea or forests, and artifical commons - the "Thing Commons" mentioned above. I'm also a little unsure whether the "Access Commons" - which is "access to infrastructure and services (i.e. politics)" - is really best construed as such.
Still, this is all thought-provoking stuff, and as such, to be welcomed. I shall certainly be pondering more as a result.
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As a former publisher (no, really) I am fascinated by, and sympathetic to, efforts to come up with new models for profitable publishing in the age of digital abundance. Clearly, part of that must include making digital text available for free (because if you don't do it, someone else will); the question is, what's the best way of doing that?
Against that background, I was intrigued to come across something calling itself OpenBook Publishers:Open Book is an independent publisher run by academics for academics and for the readers of academic work. We are a Social Enterprise (CIC) company that publishes high quality, peer-reviewed monographs in the humanities and social sciences and ensures the widest possible distribution of its publications.
Open Book makes the whole publishing process in academia fairer, swifter and more affordable by utilizing three important technological advances: the digital medium, the Internet and print-on-demand.
Open Book:
* Provides free online access to read digital versions of all publications.
* Retails high quality paperback editions at around £12, and hardback editions at around £25.
* Enables printable digital versions of both the entire book and individual book chapters to be downloaded online.
* Allows authors to maintain copyright on their own works.
* Makes publication decisions on academic merit alone through a rigorous peer review and editorial process.
* Requires no publication payment by the author.
* Speeds up the refereeing and printing processes.
That sounds pretty promising, so I thought I'd explore a title that seemed rather appropriate in the context: Privilege and Property. Essays on the History of Copyright:What can and can’t be copied is a matter of law, but also of aesthetics, culture, and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownership – of privilege and property.
Sounds just up my street. Interestingly, it uses print on demand for its analogue copies:Open Book Publishers uses print on demand technology, so your books(s) will be printed rapidly once we have received your order.
That seems absolutely right to me - no huge cost upfront, no bulky stock to store, and lower cover prices as a result. But I'd prefer to take a look at the free digital version, if I may; so where's that "printable digital versions of both the entire book and individual book chapters to be downloaded online"?
Well, it's there as a PDF - but it costs £4.95 - not quite what I was expecting. It's true that you can read the title on Google Books, but it's a painful experience.
But wait, it says here:Privilege and Property. Essays on the History of Copyright edited by Ronan Deazley, Martin Kretschmer and Lionel Bently is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 UK: England & Wales License.
Which means that once I - or anyone - has bought a copy of the PDF, it can be freely shared, subject to those conditions. Which means that it *will* be available online, sooner or later (assuming it's worth reading, and hence sharing), and that all the search engines will find it. So why slow down that process of discoverability by forcing someone to buy one copy? Is it really worth losing all that free marketing and visibility in the intervening days or weeks for the sake of £4.95?
This is a perfect example of well-meaning venture that hasn't quite thought through what publishing means today, and is still penny wise but pound foolish about those digital downloads....
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One of the many arguments against allowing patents for software (alongside the principle argument that software is made up of algorithms, which are essentially mathematics, which is pure knowledge and hence is not patentable) is the fact that software is anyway covered by copyright law. This means that others cannot simply copy your code, just as a novelist cannot simply copy large chunks of someone else's writing. But whether copyright law prevents others from copying the underlying ideas of that code by re-implementing them independently is another matter.
On The H Open.
The content management company Day Software may not be the world's most famous outfit making money from open source – perhaps a function of the fact that it is located in Basel, hardly known as a hotbed of hackers – but it's certainly an important one, particularly in the Apache part of the open source ecosystem.
On Open Enterprise blog.
Recently, there was an interesting rumour circulating that Oracle had a war chest of some $70 billion, and was going on an acquisition spree. Despite the huge figure, it had a certain plausibility, because Oracle is a highly successful company with deep pockets and an aggressive management. The rumour was soon denied, but it got me wondering: supposing Oracle decided to spend, if not $70 billion, say $10 billion in an efficient way: how might it do that? And it occurred to me that one rather dramatic use of that money would be to buy up the leading open source companies – all of them.
On Open Enterprise blog.
Talking of commons, I was reading David Bollier's Viral Spiral recently, probably the best book about the rise of the commons as a new force (and I want to emphasise that I am not at all bitter about the fact that he didn't mention Rebel Code once in his description of the early days of free software - nope, not bitter in the slightest.)
I bought a dead tree version, but it's freely available online under a CC licence (sadly not an option when Rebel Code came out...for the simple reason Creative Commons was being formulated at the same time I was writing it.) That's appropriate, since the book is largely about the evolution of the CC licences - and a fascinating tale it is, too.
One particularity of those licences is the way that they try to give users different flavours (in fact there were originally more than there are now - some were later dropped). In many ways the ability to specify exactly which freedoms you are passing on is the most revolutionary - and contentious - part of the CC project.
Against that background, I was therefore delighted to come across Move Commons (MC), "a simple tool for initiatives, collectives and NGOs to declare the core principles they are committed to." It works in almost the same way as the CC licences, allowing you to specify exactly what your "core principles" are:
MC helps these initiatives to declare the core principles they are committed to, allowing others to understand the initiative’s insight with the first glance. The idea is to choose the MC that fits your initiative, and place the generated logo (a combination of four icons) in your webpage.
Once done that, when the next websurfer reaches the initiative’s webpage, it’ll be very easy to understand your initiative’s approach and immediatly answer several questions (Is this a Non-Profit? Are they transparent? Can I use part of their content for my blog? How are they organized internally? Do they expand the Commons with their actions?), before even clicking here and there.
But not only that. By choosing your MC you are connecting with other collectives using MC. Thus, anyone can come to movecommons.org and search for “non-profits that are sharing their contents, and are interested in environmentalism and education“, and if your initative fits that description, it’d appear there. You can thus link with other similar initiatives, regardless of their geographical location. Besides, volunteers could easily find you when they are searching with initiatives like yours… independently of how much you have invested in marketing
The page of options gives an idea of how this works, complete with dinky little logos representing things like profit/non-profit and hierarchical/non-hierarchical.
It's a clever idea, although I'm not sure they've got the key categories worked out yet - for example, it's not clear what the "Reproducible" option really means in terms of content licensing. Still, it's great to see people building on the CC ideas, just as Creative Commons built on the GNU GPL's original breakthrough.
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As its name suggests, a commons is an outgrowth of things held in common, like common land. This has been extended to the digital sphere with great success - notably in the world of free software. But here's an interesting move that takes the commons back to its common-land roots: the Austrian city of Linz is creating an "open commons region":Die Leitlinien für die Realisierung der »Open-Commons-Region Linz« fordern unter anderem die Einrichtung eines Open-Commons-Beirates, den Aufbau einer Koordinationsstelle, Initiativen für Angebote in den Bereichen Bildung (Open Courseware) und öffentliche Datenbestände, wie zum Beispiel Stadtinformationen oder Stadtkarten (Open Data), Überarbeitung des magistratsweiten Intranets mit Einsatz von Open-Source-Software für das Betriebs-, Redaktions- und Datenbanksystem und Prüfung des Einsatzes von weiteren freien Softwareprodukten in Teilen der Unternehmensgruppe Stadt Linz.
[Via Google Translate: The guidelines for the implementation of the "open-commons Region Linz 'demands include the creation of an open-Commons Advisory Board, the establishment of a coordination center, initiatives for deals in the areas of education (Open Course Ware) and public databases, such as city information or maps (Open Data), revision of the magistratsweiten intranet with the use of open source software for the industrial, editorial and database system and audit of the use of other free software products in parts of the group Linz.]
which ticks most of the open boxes. The expected benefits are also wide ranging:Die Initiative soll Kosten reduzieren, Abhängigkeiten vermeiden, Eigeninitiative fördern, die Wirtschaft stärken, Wertschöpfung erzeugen, Transparenz herstellen und Rechtssicherheit schaffen.
[The initiative aims to reduce costs, avoid dependency, initiative to promote, strengthen the economy, create value, establishing transparency and legal certainty.]
Sadly, it seems that it won't cure the common cold, despite the affinities of name.
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It began, perhaps, with SCO's insane attempt to obtain money from IBM and others for alleged infringements of its code. It proceeded with the music recording industry's increasingly vicious but fruitless threats to ordinary users, expanding more recently into the film business. Now, the Troll Economy has now come to the world of words:
Borrowing a page from patent trolls, the CEO of fledgling Las Vegas-based Righthaven has begun buying out the copyrights to newspaper content for the sole purpose of suing blogs and websites that re-post those articles without permission.
Strangely, perhaps, I think this is a great development. As the world of music shows, once rights-holders start making unreasonable demands, the implicit compact with the public is broken, and people no longer respect a copyright system that does not even attempt to treat them fairly.
The Troll Economy will simply lead to more people rejecting intellectual monopolies altogether, sowing the seeds of its own destruction. Troll away, chaps....
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As regular readers of this blog will know, free software has an importance that extends way beyond the world of software. But for most people, it's hard to understand why software freedom is really that important. So this new report “Killed by Code: Software Transparency in Implantable Medical Devices” from the Software Freedom Law Center (SFLC) provides a handy opportunity to get the message across:
On Open Enterprise blog.
In 2007 the British Library (BL) and the JISC funded The Google Generation Information Behaviour of the Researcher of the Future research (CIBER, 2008), which focused on how researchers of the future, ‘digital natives’ born after 1993, are likely to access and interact with digital resources in five to ten years’ time. The research reported overall that the information literacy of young people has not improved with wider access to technology.
To complement the findings of the Google Generation research, the BL and the JISC commissioned this three‐year research study Researchers of Tomorrow focusing on the information‐seeking and research behaviour of doctoral students born between 1982 – 1994, dubbed ‘Generation Y’.
There's lots of interesting stuff in the first report, but what really caught my attention was the following:The principles behind open access publishing and self‐archiving speak to the students’ desire for an all‐embracing, seamlessly accessible research information network in which restrictions on access do not constrain them. Similarly, many of the students favour open source technology applications (e.g. Linux, Mozilla) to support the way they want to work and organise their research, and are critical of the lack of technical support to open source applications in their own institutions.
However, as the report emphasises, students remain somewhat confused about what open access really is. This suggests fertile ground for a little more explanation by open access practitioners - the benefits of doing so could be considerable.
It's also rather ironic that one of those behind the report should be the British Library: as I've noted with sadness before, the BL is one of the leading opponents of openness in the academic world, choosing instead to push DRM and patented-encumbered Microsoft technologies for its holdings. It's probably too much to expect it to read the above sections and to understand that it is going in exactly the wrong direction as far as future researchers - its customers - are concerned...
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Once more there is a lot of heated discussion about what constitutes a “real” open source business model – that is, one that remains true to the spirit of open source, and doesn't just use it as a trendy badge to attract customers. But such business models address only a tiny part of running a company – how it generates money. What about the many other aspects of a firm?
That's precisely what The Hacking Business Model seeks to spell out.
On Open Enterprise blog.
It's an old joke by now that this year will be the year of the GNU/Linux desktop – just like last year, and the year before that. But now there's a new twist: that this year will be the year of the GNU/Linux smartphone – with the difference that it's really happening.
On Open Enterprise blog.
I recently wrote about the latest iteration of the Open Source Hardware Definition, which provides a framework for crafting open hardware licences. It's a necessary and important step on the road towards creating a vibrant open source hardware movement. But the kind of open hardware that is commonly being made today – things like the hugely-popular Arduino - is only the beginning.
On Open Enterprise blog.
One of the many things I love about Wikipedia is the underlying vision, as articulated by Jimmy Wales:Imagine a world in which every single person on the planet is given free access to the sum of all human knowledge. That's what we're doing.
I love this because it really goes beyond just entries in Wikipedia; it's about making everything that *can* be made universally available - non-rivalrous, digital content, in other words - freely accessible for all.
It's one of the key reasons why I think copyright (and patents) need to go: they are predicated on stopping this happening - of *not* sharing what can be shared so easily.
In terms of how we might go beyond Wikipedia, here's the kind of thing I mean:Andrei Tarkovsky (1932-1986) firmly positioned himself as the finest Soviet director of the post-War period. But his influence extended well beyond the Soviet Union. The Cahiers du cinéma consistently ranked his films on their top ten annual lists. Ingmar Bergman went so far as to say, “Tarkovsky for me is the greatest [director], the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream.” And Akira Kurosawa acknowledged his influence too, adding, “I love all of Tarkovsky’s films. I love his personality and all his works. Every cut from his films is a marvelous image in itself.”
Shot between 1962 and 1986, Tarkovsky’s seven feature films often grapple with metaphysical and spiritual themes, using a distinctive cinematic style. Long takes, slow pacing and metaphorical imagery – they all figure into the archetypical Tarkovsky film.
Thanks to the Film Annex, you can now watch Tarkovsky’s films online – for free.
Since Tarkovsky is one of my two favourite directors (Mizoguchi, since you ask), you can imagine how my heart leapt when I went to the main site and found not only those seven main films but various shorts and documentaries as well.
Imagine now, *every* film being freely available in this way, and every piece of music - of every genre - every picture, every book, every kind of knowledge, from every time and culture. Just imagine the possibilities for enriching people's lives (once they have a capabilities of accessing it, or course - a non-trivial pre-requisite.) Imagine the impact that would have on them, their families, their nations, and on the world. Now tell me why we should let copyright stop that happening.
Update: oh, what a surprise: some of the films have *already* disappeared because of "copyright issues". Because copyright is so much more important than letting everyone enjoy an artist's work. (Via Open Education News.)
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The growing success of open source software has naturally spurred on others to apply its lessons elsewhere. Open content is perhaps the most famous translation, notably through the widely-used Creative Commons licences. But one of the most challenging domains to come up with something equivalent to the Open Source Definition (OSD) is hardware – not surprisingly, perhaps, since hardware is analogue, not digital, and hence very different in nature.
On Open Enterprise blog.
In the wake of its “success” in pushing through Digital Economy Act, the British music industry is hoping to move on to the next stage: using it as a lever to get more money out of the system (even though the music industry is currently thriving).
The UK royalties collector PRS For Music has just published a rough blueprint [.pdf] for how this might be done, entitled: “Moving Digital Britain Forward, without leaving Creative Britain behind”. It's a fascinating document, and merits close reading.
As the title suggests, there are essentially just two players in this analysis: the music industry, and the ISPs (the public are obviously irrelevant here). The ISPs are no longer lowly bit-mules, mindlessly obeying Net neutrality by conveying digital files hither and thither without a thought as to their content, but are to be regarded as “Next Generation Broadcasters”:operators of networks that connect supply with demand in a market for media.
That's important, of course, because it reframes the debate about file-sharing in terms of old technology: radio and TV. It permits the argument to be made that such “broadcasters” have to pay for the privilege of broadcasting all that content – just like the radio and TV broadcasters do.
The paper makes a very good point about the increased capacity networks that are being built:One of the few studies to be published comes from MoneySupermarket, who found that more than a third of consumers surveyed believe the advent of high-speed, next-generation broadband services would encourage greater piracy and make it easier to illegally download content. The report concluded that: ‘Illegal downloading is already a big problem for the likes of the music and film industries ... with superfast broadband packages set to become commonplace, the problem seems likely to get worse.’
I think that's true, but the analysis dismisses too easily the main reason for this:Perhaps, like iTunes, these legal venues could increase the range of content on offer, but this increase comes at a high cost when already at a significant disadvantage to “free”.
That's a vicious circle: music companies won't offer more content to compete with free, unauthorised sites because it would cost too much, which means that there won't be so much authorised content as unauthorised, which means that people will continue to be forced to opt for unauthorised downloads, which music companies aren't willing to compete with.
The report even mentions iTunes, which backs up this view: for once iTunes made available most of the content previously only found on unauthorised sites, it started raking the money in. And yet the report chooses to ignore this rare data point, and stick with its circularity – the reason being, it has a Cunning Plan. The ISPs – sorry, Next Generation Broadcasters – must pay:If changes in the scale of unlicensed media can be measured, we can put a price on this spillover to bridge the value gap. Simply stated, at some date a price would be placed on the indexed measure of unlicensed media on ISP networks. If at a later date the measure of infringement increases, the value transferred (from ISP to rightsholders) would increase accordingly.
Conversely, were the measure of infringement to decrease, the amount transferred would decrease accordingly. The options for pricing such spillovers should be the subject of further research.
They should indeed: I think this is a splendid idea – if we could make just one tiny tweak.
For this to be fair, we must of course make sure that we capture all the effects of unauthorised file sharing so that its true economic effect is measured. That is, we shouldn't be measuring anything so crude and vague as the flow of allegedly unauthorised copyright materials across a network. After all, it's impossible to say whether some of that flow might be permissible uses, and then there's the question of whether people would have bought the equivalent content etc.
Instead, what needs to be ascertained is the knock-on economic effects of that file-sharing in the *real world*. And of course, one very important aspect that has to be included in that is the fact that those who share files buy more, not less, music. As Mike Masnick explains through a splendid series of links:Study after study after study after study after study after study has shown the exact opposite -- noting that people who file share tend to be bigger music fans, and are more likely to spend on music.
So I think we should try out this report's suggestion that ISPs should pay for the consequences of their users' actions – provided the recorded industry pays the ISPs if it should turn out (as those six reports linked to by Masnick might suggest) that file sharing actually *increases* the sales of recorded music. What could be fairer than that?
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Last week I published a short correspondence I had with Richard Stallman on the subject of the GNU GPL and copyright. As I mentioned, that was from a couple of years ago, but I thought it might be worth posting now given the lively interest in the issues it raises.
On Open Enterprise.
I've never been one to follow the latest digital fashions immediately. I didn't start blogging until November 2005, and I only joined Twitter in January 2009, and identi.ca in May 2009. And so it is that I haven't joined Foursquare, or any of the other location-based social networks. That's partly because I like to wait, to see whether it's just a passing fad or something more enduring, and partly because I frankly haven't seen the point. Maybe it's about this:
On Open Enterprise blog.
Arguably the most important development in the world of open source in the last year or two has been the rise and rise of Google's Linux-based Android operating system. It's true that the mobiles out there employing it are not 100% free, but they are considerably more free than the main alternatives. More importantly, they are turning Linux into a global, mass-market platform in a way never before seen.
On Open Enterprise blog.
Here's a variety of "sharing" I'd not come across before: private label rights. This is what Wikipedia has to say on the subject:Private label rights is a concept similar to reselling, but the merchant is permitted to modify the product to fit his or her needs. Typical PLR products are articles, reports, eBooks, and autoresponders. This kind of content is used for the purpose of allowing multiple buyers to invest in the content with free rein to alter and use it by claiming authorship of it. It is typically used in online affiliate marketing systems.
As far as I can make out, this is a kind of a cross between spamblog content and pyramid selling.
One question that comes to mind is how much CC-licensed stuff ends up being passed around in this way? Of course, if the licence allows it, that's fine, but I wondered whether anyone had any experience of their content being "repackaged" in this way?
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Imagine a country that has one of the best Internet infrastructures in the world, and yet its government effectively forbids the use of GNU/Linux through a requirement that everyone employ a decade-old Windows-only technology for many key online transactions. That country is South Korea, where 1 Gbits/second Internet connections are planned for 2012; and that Windows-only technology is ActiveX.
On The H Open.
A couple of days ago, I was writing about how Richard Stallman's GNU GPL uses copyright as a way of ensuring that licensees share code that they distribute – because if they don't, they are breaching the GPL, and therefore lose their protection against claims of copyright infringement.
On Open Enterprise blog.
As long-suffering readers of this blog will know, one of the many reasons I am against software patents is that software consists of algorithms, and algorithms are just maths, so a software patent is a patent on knowledge - the purest knowledge there is (a mathematician writes).
Sometimes defenders of software patents deny that software is just algorithms (don't ask me how, but some do). So I was particularly interested to read about this poor hacker being contacted over - you guessed it - algorithms, pure and simple:Landmark Digital Services owns the patents that cover the algorithm used as the basis for your recently posted “Creating Shazam In Java”. While it is not Landmark’s intention to alienate those in the Open Source and Music Information Retrieval community, Landmark must request that you do not ship, deploy or post the code presented in your post. Landmark also requests that in the future you do not ship, deploy or post any portions or versions of this code in its current state or in any modified state.
As you can see, there is no way of disguising the fact that this claims to be a patent on an *algorithm* - that is, on maths, which is knowledge and therefore unpatentable.
But it gets worse. As the poor chap points out:I've written some code (100% my own) and implemented my own methods for matching music. There are some key differences with the algorithm Shazam uses.
That is, he didn't copy the code, and it's not even the same approach.
But wait, there's more.
As he notes:Why does Landmark Digital Services think they hold a patent for the concepts used in my code? Even if my code works pretty different from the Shazam code (from which the patents came).
What they describe in the patent is a system which:
1. Make a series of fingerprints of a media file and/or media sample
(such as audio, but could also be text, video, multimedia, etc)
2. Have a database/hashtable of fingerprints as lookup
3. Compare the set of hashtable hits using their moment in time it happened
This is very vague, basically the only innovative idea is matching the found fingerprints linearly in time. Because the first two steps describe how a hashtable works and creating a hash works. These concepts are not new nor innovative.
Moreover:I've also had contact with other people who have implemented this kind of algorithms. Most notible is Dan Ellis. His implementation can be found here: http://labrosa.ee.columbia.edu/~dpwe/resources/matlab/fingerprint/
He hasn't been contacted (yet), but he isn't planning on taking his MatLab implementation down anyway and has agreed for me to place the link here. This raises another interesting question, why are they targetting me, somebody who hasn't even published the code yet, and not the already published implementation of Dan?!
And if they think its illegal to explain the algorithm, why aren't they going after this guy? http://laplacian.wordpress.com/2009/01/10/how-shazam-works/
This is where I got the idea to implement the algorithm and it is mentioned in my own first post about the Java Shazam.
So, moving to that last site, we find a detailed analysis of the algorithm - which is all pretty obvious. How did he do that?
So I was curious how it worked, and luckily there is a paper [.pdf] written by one of the developers explaining just that. Of course they leave out some of the details, but the basic idea is exactly what you would expect: it relies on fingerprinting music based on the spectrogram.
In other words, the description of the algorithm by the company's programmers shows that it "is exactly what you would expect".
At every level, then, this is an obvious, algorithmic, mathematical approach. And yet someone in Holland - a country that doesn't recognise software patents at all - finds himself under pressure in this manner for some code he wrote independently implementing that general, algorithmic mathematical idea.
Now explain to me how patents promote innovation, please...
Update: Re-reading the post I realise that things are even more ridiculous. Here's what the company wants:we would like you to refrain from releasing the code at all and to remove the blogpost explaining the algorithm.
Now, you recall that the algorithm is the thing that the company claims to have a patent on. The original idea behind a patent was that in return for its grant, the inventor would *reveal* all the details of his or her invention so that others could use it once the patent had expired, as a quid pro quo. So if the company claims a patent on its invention, it must *by definition* reveal the algorithm.
Against that background, this demand to remove an explanation of the algorithm is simply absurd, and contradicts the very nature of a patent - it's like asking the USPTO not to reveal the patents it grants.
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