Wikileaks: the Web Watches and Waits

It's clearly still far too early to attempt to assess the impact of Wikileaks' latest mega-leak, this time of US secret cables, which is certainly a biggie:

The full set consists of 251,287 documents, comprising 261,276,536 words (seven times the size of "The Iraq War Logs", the world's previously largest classified information release).

The cables cover from 28th December 1966 to 28th February 2010 and originate from 274 embassies, consulates and diplomatic missions.

On Open Enterprise blog.

How To Say "Ooh, Look, a Squirrel" in Italian

There's a nice little argument bubbling away over in the south of Italy. It concerns the decision of Nichi Vendola, the president of Puglia, to sign a deal with Microsoft. The motivation, according to Signor Vendola, in the translation of Marco Fioretti, who has been tracking this episode, is that this:

“represents the beginning of an important collaboration partnership, whose goal is to promote innovation and excellence in creation, development and usage of ICT technologies and solutions, adding value to the role of the Region in direct relationships with the biggest international groups of that sector”.

So far, so depressingly normal you might think. Well, it would be, were it not for the fact that the party that Signor Vendola leads in the region, Sinistra Ecologia Libertà (SEL), has the following to say on the subject of technology:

Crediamo che parlare di copyleft, di software libero, di neutralità della rete sia una necessità per un partito moderno, così come lo è parlare di lavoro, ambiente, economia e diritti civili.

...

Per questo abbiamo ripreso l’espressione Ecologia della Conoscenza, perchè crediamo che tutti quei movimenti che si oppongono alla privatizzazione della conoscenza debbano essere unificati in un’unica istanza. Chi si oppone ai brevetti sul genoma o sul software, chi chiede una riforma radicale delle leggi sul copyright, chi sostiene il software libero condivide un’idea di base, che la cultura debba essere libera.

[We believe that speaking about copyleft, free software and Net neutrality is a necessity for a modern party, just as it is to speak about work, the environment, the economy and civil rights.

...

For this reason, we have adopted the expression "the Ecology of Knowledge", because we believe that all those movements which are opposed to the privatisation of knowledge must unite. Those who are opposed to gene or software patents, or ask for a radical reform of copyright law, and those who support free software share a common idea: that culture must be free.]

Fine words, but hard to square with a deal that places an entire region in the very unfree grip of Microsoft, hardly a great supporter of free software or opponent of software patents.

Understandably, then, Italian free software activist have been questioning this very inconsistent move, and now Signor Vendola has responded to the barrage of criticism:

La sottoscrizione del Protocollo d’intesa con Microsoft ha suscitato le perplessità di chi crede che con questa iniziativa si possa mettere in discussione il software libero e la libera circolazione dei saperi. La tentazione di lasciarsi andare a un impulso referendario è fortissima. Per la Puglia, per l’Italia il nemico è Microsoft? O uno qualsiasi degli altri colossi dell’informatica? A mio parere dovremmo guardare a queste dispute con lo stesso coraggio che ci aiuta a decifrare la politica di questi giorni bui. Combattendo i luoghi comuni.

[Signing the protocol of understanding with Microsoft has given rise to some perplexity in those who believe that this initiative could put in question free software and the free circulation of knowledge. The temptation to call for a referendum is very strong. Is Microsoft the enemy of Puglia, or of Italy? Or are the other giants of IT? In my opinion, we must look at this dispute with the same courage that helps us decipher the politics of these dark days.]

Whoa, hang on a minute: "courage"? We're talking about making a decision based on the technical facts. But anyway, let's go on and hear what the man has to say in explanation:

Dovremmo ammettere che in un secolo nuovo che si apre al cloud computing, all’open data government, alla neutralità tecnologica, al crollo dei prezzi delle Apps, il compito delle politiche pubbliche non è più tanto di scegliere tra competitori, ma quello di allargare le autostrade della società dell’informazione.

I veri nemici nel 2010 (e forse nel 2015 sarà più chiaro) non sono più Windows, Google, Leopard o l’iPad. Il vero nemico è il digital divide in cui il paese è prigioniero. Meno rame e più fibra.

[We must admit that in a new century that is opening up to cloud computing, open data government, Net neutrality, and to the collapse in the price of apps, the job of politics is no longer to choose among competitors, but to broaden the motorway of the information society.

The true enemies of 2010 (and perhaps it will be more clear in 2015) are not Windows, Google, Leopard or the iPad. The true enemy is the digital divide in which this country is imprisoned. Less copper and more fibre.]

What on earth is he talking about? After having made an unjustified choice to sign a deal with Microsoft (one whose terms haven't even been revealed, as far I can tell now available - see my detailed comments on the text), he tries to simply avoid the central question "Why?" by saying in true Tony Blair fashion that it is time to move on, and that it's not about competitors, but about the iPad and fibre optic cables, the price of apps and Net neutrality. He then changes subject yet again by bringing in the topic of Italy's digital divide.

Now, closing the digital divide is certainly a hugely important undertaking, but if anything can do that it is *free* software, which can be distributed to everyone in Puglia - to every school, and to every business. Microsoft's offerings are precisely the last thing that will close that digital divide.

Indeed, the divide is there largely *because* of Microsoft. By virtue of its monopolistic hold on the desktop market it has been able to impose artificially high prices on a sector whose marginal costs of production are zero. This implies that that natural price of software is also zero - as is exactly the case for free software. Anything higher than zero makes the digital divide deeper - which means that Microsoft's inflated prices have helped excavate not so much a digital divide as a digital chasm.

So Signor Vendola's bizarre "explanation" of his move - which, of course is a non-explanation, and the Italian equivalent of saying: "ooh, look, a squirrel" - is in fact a superb reason why he should in fact be supporting open source, just as his party professes to do on its Web site.

However, there is some good news here. And that is the fact that Signor Vendola felt impelled to offer some kind of explanation, however unsatisfactory. This means that he is feeling the effects of the outcry, and knows that he cannot simply ignore it.

The message is clear: Italian free software activists must (a) continue to pile on the pressure until he cancels this deal with Microsoft, and (b) non guardare lo scoiattolo.

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Copyright Law is a 404 Not Found

It is a truism that slow-moving law cannot keep up with fleet-of-foot digital technology, so that makes the rare court decision dealing with the details of how people use the Web of particular importance. Here's an interesting case that has just been handed down.

On Open Enterprise blog.

Wikipedia as (Multilingual) Word-Hoard

Wikipedia is often regarded as little more than a poor person's encyclopedia, providing a handy reference collection of basic facts. But there's another side that I predict will be recognised increasingly: as a key corpus of texts in languages that lack traditional large-scale publishing to preserve their cultures.

Here's a good example:

"Some Indian-language Wikipedias are already the largest online repositories of information in their respective languages," Bhati said. "Regular community meetings such as the one we had today in Ahmedabad can help spread the word about our mission."

This facet is even more important for languages with a relatively small numbers of speakers, or perhaps threatened with outright extinction. Wikipedia acts as a natural focus for the creation of texts in these languages that might otherwise be missing - a repository of linguistic wisdom that can be shared and built on. In this way, it plays an important role not just in spreading knowledge about the world, but also about the languages that people use to talk about that world. (via @klang67)

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Give Us All Open Data - But Not Yet

As a I wrote a couple of days ago, the current flood of open data announcements, notably by the UK government, is something of a two-edged sword. It's great to have, but it also imposes a correspondingly great responsibility to do something useful with it.

On Open Enterprise blog.

Why ACTA is Doomed (Part 2)

A couple of days ago I wrote that ACTA was doomed because its attempts to enforce copyright through even more punitive measures will simply alienate people, and cause more, not less, copyright infringement. Here's indirect support for that view from a rather surprising source: a paper [.pdf] published by WIPO (although it does emphasise "The views expressed in this document are those of the author and not necessarily those of the Secretariat or of the Member States of WIPO").

In the context of enforcement it has the following to say about the continued failure to "educate" (= indoctrinate) people about the sanctity of copyright, noting that it is a lost cause because piracy is so widely accepted today:

The most comprehensive comparative analysis of these issues to date is a 2009 Strategy One study commissioned by the International Chamber of Commerce. Strategy One examined some 176 consumer surveys and conducted new ones in Russia, India, Mexico, South Korea, and the UNITED KINGDOM. Like nearly all other surveys, Strategy One’s work showed high levels of acceptance of physical and digital piracy, with digital media practices among young adults always at the top of the distribution. The group concluded that “hear no evil, see no evil, speak no evil’ has become the norm” (ICC/BASCAP 2009). At this point, such findings should come as no surprise. In the contexts in which we worked, we can say with some confidence that efforts to stigmatize piracy have failed.

There is little room to maneuver here, we would argue, because consumer attitudes are, for the most part, not unformed — not awaiting definition by a clear antipiracy message. On the contrary, we consistently found strong views. The consumer surplus generated by piracy in middle-income countries is not just popular but also widely understood in economic justice terms, mapped to perceptions of greedy United States of America and multinational corporations and to the broader structural inequalities of globalization in which most developing-world consumers live. Enforcement efforts, in turn, are widely associated with the United States of America pressure on national governments, and are met with indifference or hostility by large majorities of respondents.

It also makes this rather interesting point about the changing nature of people's music collections:

The collector, our work suggests, is giving ground at both the high end and low end of the consumer income spectrum. Among privileged, technically-proficient consumers, the issue is one of manageable scale: the growing size of personal media libraries is disconnecting recorded media from traditional notions of the collection — and even from strong assumptions of intentionality in its acquisition. A 2009 survey of 1800 young people in the UNITED KINGDOM found that the average digital library contained 8000 songs, with 1800 on the average iPod (Bahanovich and Collopy 2009). Most of these songs — up to 2/3 in another recent study — have never been listened to (Lamer 2006). If IFPI’s figures are to be trusted, up to 95% are pirated (IFPI 2006).

Such numbers describe music and, increasingly, video communities that share content by the tens or hundreds of gigabytes — sizes that diminish consumers’ abilities to organize or even grasp the full extent of their collections. Community-based libraries, such as those constituted through invitation-only P2P sites, carry this reformulation of norms further, structured around still more diffuse principles of ownership and organization.

What's really fascinating for me here is that it clearly describes the trend towards owning *every* piece of music and *every* film ever recorded. The concept of owning a few songs or films will become meaningless as people have routine access to everything. Against that background, the idea of "stopping" filesharing just misses the point completely: few will be swapping files - they will be swapping an entire corpus.

The whole report is truly exciting, because it dares to say all those things that everyone knew but refused to admit. Here are few samples of its brutal honesty:

To be more explicit about these limitations, we have seen no evidence — and indeed no claims — that enforcement efforts to date have had any impact on the overall supply of pirated goods. Our work suggests, rather, that piracy has grown dramatically by most measures in the past decade, driven by the exogenous factors described above — high media prices, low local incomes, technological diffusion, and fast-changing consumer and cultural practices.

...

we see little connection between these efforts and the larger problem of how to foster rich, accessible, legal cultural markets in developing countries — the problem that motivates much of our work. The key question for media access and the legalization of media markets, in our view, has less to do with enforcement than with fostering competition at the low end of media markets — in the mass market that has been created through and largely left to piracy. We take it as self-evident, at this point, that US$15 DVDs, US$12 CDs, and US$150 copies of MS Office are not going to be part of broad-based legal solutions.

Fab stuff - even if it is not quite official WIPO policy (yet....) (Via P2Pnet.)

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Open Data Good, Open Source Bad?

Last Friday, I went along to what I thought would be a pretty routine press conference about open data - just the latest in a continuing drip-feed of announcements in this area from the UK government. I was soon disabused.

On Open Enterprise blog.

Why ACTA is a Doomed

There is a great new paper out with the title "ACTA as a New Kind of International IP Law-Making":

The ACTA negotiations are important not only for the potential impact of the treaty itself, but for what they can teach us about the dynamics of intellectual property law-making and the structure of the IP treaty framework. This paper draws two broad lessons from the progress of the ACTA to date which, while not entirely new, can be understood in a new light by looking at the detailed development of the ACTA text: (1) that the global IP 'ratchet' is not inexorable; and (2) that the international IP treaty framework is very poorly adapted to developing exceptions. The relevance of these lessons for negotiators, scholars and advocates is also discussed.

It's very thorough, and well-worth reading all the way through. But I'd like to single out the following section as particularly worthy of attention:

there is the question of public perceptions as to the value and fairness of the agreement. A perception that it is fair as between stakeholders is important to IP law, which it is not readily ̳self-enforcing.‘ By this I mean that IP law requires people to self-consciously refrain from behaviours that are common, easy, and enjoyable: infringement is so easy to do and observing IP rights, particularly copyright, involves, particularly these days, some self-denial. IP law therefore needs support from the public in order to be effective, and in order to receive any such support IP law needs to address the needs of all stakeholders. 135 Treaties that strengthen enforcement without addressing the needs of users look unfair and will bring IP law further into disrepute.

I think this is a profound point. As we know, copyright infringement is taking place on a massive scale, especially among younger members of society. It's clear that this is largely because they do not perceive present copyright law as either reasonable or fair, and so they simply ignore it.

ACTA will make copyright law less fair and even more unreasonable. The inevitable consequence will be that people will respect its laws even less, and feel even more justified in doing so. And so we have a paradox: the more that ACTA is put into practice, the more it will weaken the edifice it was supposed to buttress. (Via @StopActaNow @FelixTreguer.)

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MPs' Expenses: They're At It Again

Openness is inherently political, because it dares to assert that we little people have a right to see what the powerful would hide. There's no clearer proof of that point than the MPs' expenses scandal last year. You might think that was a battle where openness prevailed; sadly you would be wrong, as a recent press release from the Independent Parliamentary Standards Authority (IPSA) reveals.

On Open Enterprise blog.

Jauchzet: Bach's Organ Music Free Online

A few months ago, Musopen ran a fundraiser on Kickstarter:

Musopen is a non-profit dedicated to providing copyright free music content: music recordings, sheet music and a music textbook. This project will use your donations to purchase and release music to the public domain. Right now, if you were to buy a CD of Beethoven's 9th symphony, you would not be legally allowed to do anything but listen to it. You wouldn't be able to share it, upload it, or use it as a soundtrack to your indie film- yet Beethoven has been dead for 183 years and his music is no longer copyrighted. There is a lifetime of music out there, legally in the public domain, but it has yet to be recorded and released to the public.

This is such an eminently sensible idea: releasing music into the public domain that all can use as they wish. I don't think this other project is public domain (anyone know?), but it's still a nice gesture:

Free downloads of the complete organ works of Johann Sebastian Bach, recorded by Dr. James Kibbie on original baroque organs in Germany, are offered on this site.

Here's where the money's coming from:

This project is sponsored by the University of Michigan School of Music, Theatre & Dance with generous support from Dr. Barbara Furin Sloat in honor of J. Barry Sloat. Additional support has been provided by the Office of Vice-President for Research, the University of Michigan.

It's another model that would be good to see utilised elsewhere, ideally with the results being put into the public domain. (Via @ulyssestone, @alexrossmusic)

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No Art Please, You're Not British

I thought we had got beyond this daftness:

A Cellist was held at Heathrow Airport and questioned for 8 hours this week. A terrorist suspect? False passport? Drug smuggling? If only it was so dramatic and spectacular. Her crime was coming to the UK with her cello, to participate in musicology conference organised by the School of Music at the University of Leeds and it was for this reason that Kristin Ostling was deported back to Chicago. What was UK Borders Agency (UKBA) thinking? That she would sell her cello to earn some cash, or do a spot of moonlighting at some secretive classical music gig, while she was here?

The Conference organiser, Professor Derek Scott informed the Manifesto Club that “She was not being paid a penny for this, but these zealous officers decided that playing a cello is work and, paid or unpaid, she could not be allowed in.”

Lovely logic here: if you are a professional cellist it follows that putting bow to string is work, and therefore not permitted according to the terms of your visa. And as the article explains, it's the same for painters and photographers: if you dare to create a masterpiece here in the UK, you might end up being deported, and blacklisted.

Now, call me old fashioned, but it seems to me that we should actually be *begging* artists to come here and create: it not only enriches the cultural ecosystem based on the UK and all it contains, it makes it more likely that other artists and non-artists will want to come to the country to see where these works were spawned, bringing with them all that valuable touristic dosh that everyone seems to be scrabbling after these days.

But the problem is really deeper than this simple loss of these earnings. What is really disturbing is the crass way the UK Borders Agency equates artistic creation with work: if you act as an artist - even if you are not paid - you are theoretically doing something that should have a price on it. This is really part and parcel of the thinking that everything should be copyrighted and patented - that you can't do stuff for free, or simply give away your intellectual creations.

It's a sick viewpoint that leads to kind of shaming situations described above. And of course, in the usual way, the people imposing these absurd practices haven't though things through. After all, if musicians can't play, or artists paint, when they come to the UK, surely that must mean by the same token that visiting foreign mathematicians can't manipulate formulae, and philosophers are forbidden to think here...?

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Digital Society vs. Digital Economy Act

Here's an interesting move:

Britons will be forced to apply online for government services such as student loans, driving licences, passports and benefits under cost-cutting plans to be unveiled this week.

Officials say getting rid of all paper applications could save billions of pounds. They insist that vulnerable groups will be able to fill in forms digitally at their local post offices.

The plans are likely to infuriate millions of people. Around 27% of households still have no internet connection at home and six million people aged over 65 have never used the web.

Lord Oakeshott, a Liberal Democrat Treasury spokesman, said: "We must cut costs and boost post offices as much as we possibly can, but many millions of people – not just pensioners – are not online and never will be. They must never be made to feel the state treats them as second-class citizens."

As an out-and-out technophile, I have a lot of sympathy with this move. After all, it's really akin to moving everyone to electricity. But it does mean that strenuous efforts must be made to ensure that everyone really has ready access to the Internet.

And that, of course, is a bit of a problem when the ultimate sanction of the Digital Economy Act is to block people's access (even if the government tries to deny that it will "disconnect" people - it amounts to the same thing, whatever the words.) If, as this suggests and I think is right, the Internet becomes an absolutely indispensable means of exercising key rights (like being able to communicate with the government) then it inevitably makes taking those rights away even more problematic.

So I predict that the more the present coaltion pushes in this direction, the more difficulties it will have down the line with courts unimpressed with people being disadvantaged so seriously for allegedly infringing on a government-granted monopoly: this makes a response that was never proportionate to begin with even more disproportionate.

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Tim BL: Open Standards Must be Royalty-Free

Yesterday I went along to the launch of the next stage of the UK government's open data initiative, which involved releasing information about all expenditure greater than £25,000 (I'll be writing more about this next week). I realised that this was a rather more important event than I had initially thought when I found myself sitting one seat away from Sir Tim Berners-Lee (and the intervening seat was occupied by Francis Maude, Minister for the Cabinet Office and Paymaster General.)

Sir Tim came across as a rather archetypal professor in his short presentation: knowledgeable and passionate, but slightly unworldly. I get the impression that even after 20 years he's still not really reconciled to his fame, or to the routine expectation that he will stand up and talk in front of big crowds of people.

He seems much happier with the written word, as evidence by his excellent recent essay in the Scientific American, called "Long Live the Web". It's a powerful defence of the centrality of the Web to our modern way of life, and of the key elements that make it work so well. Indeed, I think it rates as one of the best such piece I've read, written by someone uniquely well-placed to make the case.

But I want to focus on just one aspect here, because I think it's significant that Berners-Lee spends so much time on it. It's also timely, because it concerns an area that is under great pressure currently: truly open standards. Here's what Berners-Lee writes on the subject:

The basic Web technologies that individuals and companies need to develop powerful services must be available for free, with no royalties. Amazon.com, for example, grew into a huge online bookstore, then music store, then store for all kinds of goods because it had open, free access to the technical standards on which the Web operates. Amazon, like any other Web user, could use HTML, URI and HTTP without asking anyone’s permission and without having to pay. It could also use improvements to those standards developed by the World Wide Web Consortium, allowing customers to fill out a virtual order form, pay online, rate the goods they had purchased, and so on.

By “open standards” I mean standards that can have any committed expert involved in the design, that have been widely reviewed as acceptable, that are available for free on the Web, and that are royalty-free (no need to pay) for developers and users. Open, royalty-free standards that are easy to use create the diverse richness of Web sites, from the big names such as Amazon, Craigslist and Wikipedia to obscure blogs written by adult hobbyists and to homegrown videos posted by teenagers.

Openness also means you can build your own Web site or company without anyone’s approval. When the Web began, I did not have to obtain permission or pay royalties to use the Internet’s own open standards, such as the well-known transmission control protocol (TCP) and Internet protocol (IP). Similarly, the Web Consortium’s royalty-free patent policy says that the companies, universities and individuals who contribute to the development of a standard must agree they will not charge royalties to anyone who may use the standard.

There's nothing radical or new there: after all, as he says, the W3C specifies that all its standards must be royalty-free. But it's a useful re-statement of that policy - and especially important at a time when many are trying to paint Royalty-Free standards as hopeless unrealistic for open standards. The Web's continuing success is the best counter-example we have to that view, and Berners-Lee's essay is a splendid reminder of that fact. Do read it.

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Microsoft: "Linux at the End of its Life Cycle"

Regular readers of this blog will know that I've tracked the rather painful history of attempts to increase the deployment of free software in Russia, notably in its schools. Well, that saga continues, it seems, with doubts being expressed about the creation of a Russian national operating system based on GNU/Linux:

Иногда приходится слышать, что идея национальной программной платформы содержит в себе логическое противоречие. Ведь если такая платформа действительно будет создаваться на базе СПО, то такое программное обеспечение будет более чем на 90% произведено не в России, а за рубежом. Соответственно, и НПП у нас получится, скорее, какая-нибудь американо-германо-индийская, а не российская.

[Google Translate: Sometimes we hear that the idea of a national software platform contains a logical contradiction. After all, if this platform really will be created based on the ACT, then this software will be more than 90% are not produced in Russia and abroad. Accordingly, the NPP, we will, more likely, some kind of US-German-Indian, not Russian.]

That story will doubtless run and run. But what interested me was the accompanying quote from Nikolai Pryanishnikov, president of Microsoft in Russia; it's a corker:

"Компания Microsoft выступает за технологическую нейтральность и считает, что выбор ОС должен быть обусловлен исключительно качествами самой ОС, ее экономической эффективностью, стоящими практическими задачами, безопасностью, а не идеологическими соображениями.

С нашей точки зрения, наиболее эффективным для развития инновационной экономики в стране представляется не создание аналога существующих ОС, на что уйдут огромные средства и много времени, а взяв за основу наиболее распространенную ОС, проверенную российскими спецслужбами, создавать собственные приложения и решения, вкладывая при этом средства в перспективные научные российские разработки. Нужно иметь в виду, что Linux не является российской ОС и, кроме того, находится в конце своего жизненного цикла".

[Google Translate: "Microsoft supports technological neutrality and considers that the choice of OS should be caused solely as the greatest operating system, its economic efficiency, standing practical problems, safety, rather than ideological considerations.

From our point of view, the most effective for the development of an innovative economy in the country seems not to create an analogue of the existing OS, which will take huge amounts of money and time, and taking as basis the most popular operating systems, proven by Russian security services, to create custom applications and solutions, investing in this funds in promising scientific Russian developments. We must bear in mind that Linux is not a Russian OS and, moreover, is at the end of its life cycle."]

The idea that "Linux is at the end of its life cycle" is rather rich coming from the vendor of a platform that is increasingly losing market share, both at the top and bottom end of the market, while Linux just gets stronger. I'd wager that variants of Linux will be around rather longer than Windows.

Update: the Russian publication CNews Open, from which the story above was taken, points out that Russia is aiming to create a national software platform, not a national operating system. Quite what this means seems to be somewhat unclear:

даже российским участникам сообщества сегодня по-прежнему трудно понять, что конкретно представляет собой российская национальная программная платформа

[Google Translate: even the Russian participants of the community today is still difficult to understand exactly what constitutes Russia's national software platform.]

Let's hope things become a little clearer in due course: with its wealth of top-class programmers, Russia has the potential to become a key player the free software world.

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A Peek Inside the EU's Digital Inner Circle

The European Commission looms large in these pages. But despite that importance, it remains - to me, at least - an opaque beast. Hugely-important decisions are emitted by it, as the result of some long and deeply complex process, but the details remain pretty mysterious.

On Open Enterprise blog.

Can You Feel the Tension?

There's an important conference taking place in Brussels next week: "Tensions between Intellectual Property Rights and the ICT standardisation process: reasons and remedies - 22 November 2010". It's important because it has a clear bearing on key documents like the forthcoming European Interoperability Framework v2.

It all sounds jolly reasonable:

Key ICT standards are perceived by many as critical technology platforms with a strong public interest dimension. However, concerns are voiced that Intellectual Property Rights (IPRs) and their exclusivity potential, may hinder or prevent standardisation.

The European Commission and the European Patent Office (EPO) are organising a conference to address some specific issues on patents and ICT standards: are today’s IPR features still compatible with fast moving markets and the very complex requirements of ICT standardisation in a global knowledge economy environment? Where are problems that we can we fix?

Unfortunately, I can't go - actually, better make that *fortunately* I can't go, because upon closer inspection the agenda [.pdf] shows that this is a conference with a clear, er, agenda: that is, the outcome has already been decided.

You can tell just by its framing: this is "a conference to address some specific issues on patents and ICT standards". ICT is mostly about software, and yet software cannot be patented "as such". So, in a sense, this ought to be a trivial conference lasting about five minutes. The fact that it isn't shows where things are going to head: towards accepting and promoting patents in European standards, including those for software.

That's not really surprising, given who are organising it - the European Commission and the European Patent Office (EPO). The European Commission has always been a big fan of software patents; and the EPO is hardly likely to be involved with a conference that says: "you know, we *really* don't need all these patents in our standards."

Of course, the opposite result - that patents are so indescribably yummy that we need to have as many as possible in our European ICT standards - must emerge naturally and organically. And so to ensure that natural and organic result, we have a few randomly-selected companies taking part.

For example, there's a trio of well-known European companies: Nokia, Ericsson and Microsoft. By an amazing coincidence - as an old BBC story reminds us - all of them were fervent supporters of the European legislation to make software patentable:

Big technology firms, such as Philips, Nokia, Microsoft, Siemens, and telecoms firm Ericsson, continued to voice their support for the original bill.

So, no possible bias there, then.

Then there are a couple of outfits you may have heard of - IBM and Oracle, both noted for loving software patents slightly more than life itself. So maybe a teensy bit of bias there.

But wait, you will say: you are being totally unfair. After all, is there not an *entire* massive one-hour session entitled "Open source, freely available software and standardisation"? (although I do wonder what on earth this "freely available software" could be - obviously nothing so subversive as free-as-in-freedom software.)

And it's true, that session does indeed exist; here's part of the description:

This session will explore potential issues around standardisation and the topic of open source software and free licences. We will look at examples of how standards are successfully implemented in open source. We will also consider licensing issues that may exist regarding the requirement to pay royalties for patents present in standards, as well as other licensing terms and conditions in relation to the community approach common in open source and free software technology development.

But what's the betting that those "examples of how standards are successfully implemented in open source" will include rare and atypical cases where FRAND licences have been crafted into a free software compatible form, and which will then be used to demonstrate that FRAND is the perfect solution for ICT licensing in Europe?

Luckily, we have Karsten Gerloff from the FSFE to fight against the software patent fan club, and tell it as it is. Pity he's on his own on this though - and no, poor Erwin Tenhumberg does not count. He may be "Open Source Programme Manager, SAP", but SAP is one of the fiercest proponents of patenting software in Europe, as I've discussed a couple of times.

So this leaves us with Karsten against the collective might of the European Commission, EPO, Microsoft, Nokia, Ericsson, IBM, Oracle and SAP: clearly they'll be some of that "tension", as the conference title promises, but a fair fight conducted on a level playing-field? Not so much....

Follow me @glynmoody on Twitter or identi.ca.

Will Mark Zuckerberg Prove He's Open Source's BFF?

Although I don't use it much myself, I've heard that Facebook is quite popular in some quarters. This makes its technological moves important, especially when they impact free software. Yesterday, we had what most have seen as a pretty big announcement from the company that does precisely that:

On Open Enterprise blog.

A Great Indian Takeaway

As you may have noticed, I've been writing quite a lot about the imminent European Interoperability Framework (EIF), and the extent to which it supports true open standards that can be implemented by all. Of course, that's not just a European question: many governments around the world are grappling with exactly the same issue. Here's a fascinating result from India that has important lessons for the European Commission as they finalise EIF v2.

On Open Enterprise blog.

Beyond a Joke: On the Road to China

By now, you will have read all about the #twitterjoketrial. But you may not have come across this story:

On 17 of October, Wang Yi retweeted a post by Hua Chunhui who satirically challenged the anti-Japanese angry youths in China by inviting them to destroy the Japan pavilion in Shanghai Expo. She added a comment, “Angry youth, come forward and break the pavilion!” in her retweet.

The police interpreted her satire as a public order disturbance and asked the Labour Re-education committee to sentence her to one year labour camp, from November 15 2010 to November 9 2011 in Zhenzhou Shibali river labour re-education camp.

People will point out one year in a labour camp is very different from the few thousand quid fine meted out to Paul Chambers, and I of course would agree: the UK is not China.

But the *attitude* - that humour or satire is a "threat" of some kind, and must be punished in the courts - is shockingly similar. And that is what is most disturbing for me here in the UK about the #twitterjoketrial case: the authorities here are now *thinking* like their Chinese counterparts (who must be delighted to have this high-profile backing for their approach from those hypocritical Westerners). We are on the road to China.

Is this really the journey we want to take? Weren't we trying to get China to come to us?

Follow me @glynmoody on Twitter or identi.ca.

German Court: Links Can Infringe on Copyright

Here's one of those tedious court decisions that show the judges don't really get this new-fangled Internet thing:

Pünktlich zum einem der vielen 20. Geburtstage des Word Wide Webs wurde jetzt ein Urteil des Bundesgerichtshof veröffentlicht, in dem festgestellt wird dass ein Link eine Urheberrechtsverletzung sein kann (Urteil, .pdf). In behandelten Rechtsstreit hatte der Kläger eine Website mit Stadtplänen betrieben, die so gestaltet war, dass man immer nur über ein Suchformular auf der Startseite zur gewünschten Unterseite kommen sollte.

[Google Translate: Just in time for one of the many 20th Birthdays of the World Wide Web has now published the Federal Court judge, found that a link is in the copyright infringement can be a ( ruling. pdf ). Treated in dispute, the applicant had operated a Web site with maps, which was designed so that one should only come via a search form on the home page to the desired base.]

I mean, come on: this isn't about copyright - the content is freely available; it's about how you get to that copyright material.

Thus the real issue here seems to be that a site owner is worried about losing advertising revenue if people can skip over the home page. But the solution is simple: just put ads on the inner pages of the site, too. That way, you get the best of both worlds: directly-addressable content that also generates revenue. Is that so hard?

Follow me @glynmoody on Twitter or identi.ca.

Microsoft: Super - But Not Quite Super Enough

Once upon a time, the Netcraft Web server market share was reported upon eagerly every month for the fact that it showed open source soundly trouncing its proprietary rivals. We don't hear much about that survey these days - not because things have changed, but for that very reason: it's now just become a boring fact of life that Apache has always been the top Web server, still is, and probably will be for the foreseeable future. I think we're fast approaching that situation with the top500 supercomputing table.

On Open Enterprise blog.

Opening up Knowledge

I know you probably didn't notice, but I posted very little on this blog last week - nothing, in fact. This was not down to me going “meh” for a few days, but rather because I was over-eager in accepting offers to talk at conferences that were almost back to back, with the result that I had little time for much else during that period.

On Open Enterprise blog.

Time for a "Turing/Berners-Lee" Day?

On this day, in 1937:

Alan Turing’s paper entitled "On Computable Numbers with an Application to the Entscheidungs-problem" appeared on November 12, 1937, somewhat contemporaneously with Konrad Zuse’s work on the first of the Z machines in Germany, John Vincent Atanasoff ‘s work on the ABC, George Stibitz’s work on the Bell Telephony relay machine, and Howard Aiken’s on the Automatic Sequence Controlled Calculator.

Later renamed the Turing Machine, this abstract engine provided the fundamental concepts of computers that the other inventors would realise independently. So Turing provided the abstraction that would form the basic theory of computability for several decades, while others provided the pragmatic means of computation.

And on this day a little later, in 1990:

The attached document describes in more detail a Hypertext project.

HyperText is a way to link and access information of various kinds as a web of nodes in which the user can browse at will. It provides a single user-interface to large classes of information (reports, notes, data-bases, computer documentation and on-line help). We propose a simple scheme incorporating servers already available at CERN.

Maybe we should declare this date the Turing-Berners-Lee Day?

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Google Bowls a Googly

One of the most shocking aspects of Oracle's lawsuit against Google alleging patent and copyright infringement was its unexpected nature. The assumption had been that Google was a big company with lots of lawyers and engineers, and had presumably checked out everything before proceeding with the Android project. And then suddenly it looked as if it had made the kind of elementary mistakes a newbie startup might commit.

On Open Enterprise blog.

A (Digital) Hymn to Eric Whitacre

Eric Whitacre is that remarkable thing: a composer able to write classical music that is at once completely contemporary and totally approachable even at the first hearing.

Just as, er, noteworthy is his total ease with modern technology. His website is undoubtedly one of the most attractive ever created for a composer, and uses the full panoply of the latest Internet technologies to support his music and to interact with his audience, including a blog with embedded YouTube videos, and links to Twitter and Facebook accounts.

Perhaps the best place to get a feel for his music and his amazing facility with technology is the performance of his piece "Lux Aurumque" by a "virtual choir" that he put together on YouTube (there's another video where the composer explains some of the details and how this came about.)

Against that background, it should perhaps be no surprise that on his website he has links to pages about most (maybe all?) of his compositions that include not only fascinating background material but complete embedded recordings of the pieces.

Clearly, Whitacre has no qualms about people being able to hear his music for free, since he knows that this is by far the best way to get the message out about it and to encourage people to perform it for themselves. The countless comments on these pages are testimony to the success of that approach: time and again people speak of being entranced when they heard the music on his web site - and then badgering local choirs to sing the pieces themselves.

It's really good to see a contemporary composer that really gets what digital music is about - seeding live performances - and understands that making it available online can only increase his audience, not diminish it. And so against that background, the story behind one of his very best pieces, and probably my current favourite, "Sleep", is truly dispiriting.

Originally, it was to have been a setting of Robert Frost’s "Stopping By Woods on a Snowy Evening". The composition went well:

I took my time with the piece, crafting it note by note until I felt that it was exactly the way I wanted it. The poem is perfect, truly a gem, and my general approach was to try to get out of the way of the words and let them work their magic.

But then something terrible happened:

And here was my tragic mistake: I never secured permission to use the poem. Robert Frost’s poetry has been under tight control from his estate since his death, and until a few years ago only Randall Thompson (Frostiana) had been given permission to set his poetry. In 1997, out of the blue, the estate released a number of titles, and at least twenty composers set and published Stopping By Woods on a Snowy Evening for chorus. When I looked online and saw all of these new and different settings, I naturally (and naively) assumed that it was open to anyone. Little did I know that the Robert Frost Estate had shut down ANY use of the poem just months before, ostensibly because of this plethora of new settings.

Thanks to copyright law, this is the prospect that Whitacre faced:

the estate of Robert Frost and their publisher, Henry Holt Inc., sternly and formally forbid me from using the poem for publication or performance until the poem became public domain in 2038.

I was crushed. The piece was dead, and would sit under my bed for the next 37 years because of some ridiculous ruling by heirs and lawyers.

Fortunately for him - and for us - he came up with an ingenious way of rescuing his work:

After many discussions with my wife, I decided that I would ask my friend and brilliant poet Charles Anthony Silvestri (Leonardo Dreams of His Flying Machine, Lux Aurumque, Nox Aurumque, Her Sacred Spirit Soars) to set new words to the music I had already written. This was an enormous task, because I was asking him to not only write a poem that had the exact structure of the Frost, but that would even incorporate key words from “Stopping”, like ‘sleep’. Tony wrote an absolutely exquisite poem, finding a completely different (but equally beautiful) message in the music I had already written. I actually prefer Tony’s poem now…

Not only that:

My setting of Robert Frost’s Stopping By Woods on a Snowy Evening no longer exists. And I won’t use that poem ever again, not even when it becomes public domain in 2038.

So, thanks to a disproportionate copyright term, a fine poem will never be married with sublime music that was originally written specially for it. This is the modern-day reality of copyright, originally devised for "the encouragement of learning", but now a real obstacle to the creation of new masterpieces.

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