Moody: the works
Essays
Glanglish - with audio versions
Travel writings
Moody Travels (with photos)
Novels
open source, open genomics, open creation
Posted by
Glyn Moody
at
6:49 pm
Should we rely on a few dominant companies to police everyone’s use of AI to spot and block the bad actors? As AI becomes embedded in everyday life, that effectively means constant surveillance of everyone by those companies. What about the legal frameworks for handling these abuses? Who should bear the liability when threat actors succeed in circumventing the built-in safeguards and cause real-life harm? And how would increasingly capable open weight/open source systems that exist outside the control of any company fit into new legal and liability frameworks? It’s going to be an interesting few years finding out — assuming we have that long…
On Techdirt.
Posted by
Glyn Moody
at
6:42 pm
For the last few months, there has been much talk of AI agents going “rogue”. This is another of those unhelpful anthropomorphisms that are great for clickbait headlines, but which obscure a multitude of important issues.
On Techdirt.
Posted by
Glyn Moody
at
6:36 pm
Labels: agents, ai, aisi, ajeya cotra, alignment, benchmark, cooperation, evan hubinger, frontier ai, going rogue, jacob coxon, jakub pachocki, messaging, metr, pascal, pascal's wager, recursive self-improvement, reward hack, sandbox, wiki
As the use of generative AI and LLMs becomes widespread and even routine in today’s society, it seems possible that this will bring with it a certain presumption in their favour that will trump even the decades-long habit of treating copyright as something sacrosanct that must be preserved and protected at all costs.
From Walled Culture.
Posted by
Glyn Moody
at
5:30 pm
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| Mantegna's masterpiece in Mantua |
And here it is: the island with the labyrinth of water. An unremarkable but inexplicable fresco. The info says it is Mount Olympus….
A return to the magical city of Mantua to visit a few of my favourite masterpieces, as well as a new gallery of modern art there.
Posted by
Glyn Moody
at
7:22 pm
Labels: barrel vault, bernini, brescia, caesars, Camera Degli Sposi, hercules, kiefer, mantegna, mantua, mount olympus, palazzo ducale, peter greenaway, sonnabend collection, titian, troy, venice
This move from the Hollywood-style blockbusters to low-budget films made by new directors – often emerging from the world of YouTube – and new production houses is great news for audiences eager for new experiences and a sense of community. It not only brings fresh talent to the art form, it also opens up the possibility of fan-funded films that manage the difficult trick of being thoughtful and popular.
From Walled Culture.
Posted by
Glyn Moody
at
7:05 pm
Labels: bbc, blockbuster, budgets, community, et, hollywood, horror film, infringement, letterboxd, low-budget, profits, true fans, youtube
The world of generative AI is so complex, and moving so quickly, that it is no wonder that even the relatively recent EU AI Act, which entered into force two years ago, is being left behind by the latest developments. And the EU Copyright Directive, which was drawn up nearly a decade ago, is the digital equivalent of the UK’s 1865 Red Flag Act, which governed “self-propelled vehicles”, and required “a man with a red flag was to walk at least 60 yd (55 m) ahead of each vehicle”.
From Walled Culture.
Posted by
Glyn Moody
at
2:43 pm
Labels: ai, copyright, enforcement, eu, eu ai act, generative ai, local ai, red flag act
In a post on his blog, the security guru Bruce Schneier points out that if the ruling stands and is adopted elsewhere, it could have important implications not just for things like Google’s AI Overviews and chatbots, but also for the increasingly popular AI agents.
On Techdirt.
It is the usual one-sided justice that is typical when copyright is involved. It seems that LaLiga is being given carte blanche to do whatever it likes here, and never mind the consequences for Internet companies and their users. As Hadopi fades, and Italy’s Piracy Shield carries on as before, the fear has to be that Spain’s unconstrained approach to copyright enforcement could end up being worse than both.
From Walled Culture.
Posted by
Glyn Moody
at
10:19 am
Labels: ai, artifical intelligence, llms, machine learning, recursion, rsi, superintelligence, tubes
Posted by
Glyn Moody
at
10:38 am
Labels: abstract, ai, chain of thought, conjecture, duel, Erdős, llms, maths, patience, proof, refutation
With the latest incarnation of its search engine, Google is making the World Wide Web as we have known it for over 30 years invisible, and therefore increasingly irrelevant to most people, who will be happy to let Google become their universal user interface to everything. And yet Google still depends on the Internet to supply all the information it is analysing and repackaging. It risks killing the very thing that sustains it.
Posted by
Glyn Moody
at
7:59 am
Labels: agents, ai, altavista, artificial intelligence, black box, genai, Google, interface, internet, links, llms, lycos, publishing, search, training, webcrawler, world wide web
Hadopi is not quite dead yet: the French government could try to solve the two problems pointed out by the CJEU and confirmed by the Conseil d’État, by setting up yet more independent bodies to handle these specific aspects of Hadopi. That would involve throwing even more taxpayers’ money at an approach that has not only failed completely, but which is fundamentally misguided. Clearly, trying to keep the moribund Hadopi alive in this way would be an irrational and wasteful thing for the French government to contemplate; but given this is the world of copyright, it might well try to do it anyway.
Via Walled Culture
Posted by
Glyn Moody
at
12:25 pm
Labels: cjeu, copyright, france, graduated response, hadopi, three strikes
Posted by
Glyn Moody
at
2:48 pm
Labels: asimov, clown, donald trump, elections, empire, foundation trilogy, mathematics, mule, psychohistory, statistics, wars
In other words, today’s obsession with protecting intellectual monopolies above all else could one day prove a major obstacle to fighting — and winning — future wars.
Posted by
Glyn Moody
at
7:29 am
Posted by
Glyn Moody
at
2:32 pm
Labels: apple, calendar, camera, doomscrolling, ebook, map, smartphone, steve jobs, translator, tv
Posted by
Glyn Moody
at
12:10 pm
Labels: ai, art, comms, databases, internet, poetry, sonnet, spreadsheets, troubadours, word processors
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| Just don't call him Alexander the Great |
The most amazing thing about this place is that it exists, a complete culture and nation that practically no one outside knows about. It is like a secret land, hiding in plain sight. This ensemble – the square, statues, river, buildings – is astonishing. Although quite new, it has an eternal, classical feel to it. It brings to mind The Ideal City, usually attributed to the architect and artist Fra Carnevale.
A short trip to the mysterious and little-known Skopje, capital of North Macedonia, with its intriguing mixture of ancient Ottoman culture and in-your-face neoclassicism. It also has 202 red double-decker buses - made in China.
Posted by
Glyn Moody
at
1:08 pm
Labels: albanian, archaeology, bazaar, earthquakes, galleon, guns, mother goddess, north macedonia, ottoman empire, romans, skopje, turkish cuisine, venus
To the extent possible under law,
glyn moody
has waived all copyright and related or neighbouring rights to
this work.
This work is published from:
United Kingdom.