E-book Industry Gets E-diotic

Learning nothing from the decade-long series of missteps by the music industry, publishers want to repeat that history in all its stupidity:

Digital piracy, long confined to music and movies, is spreading to books. And as electronic reading devices such as Amazon's Kindle, the Sony Reader, Barnes & Noble's Nook, smartphones and Apple's much-anticipated "tablet" boost demand for e-books, experts say the problem may only get worse.

Gosh, the sky is falling.

"Textbooks are frequently pirated, but so are many other categories," said Ed McCoyd, director of digital policy at AAP. "We see piracy of professional content, such as medical books and technical guides; we see a lot of general fiction and non-fiction. So it really runs the gamut."

Er, you don't think that might be because the students are being price-gouged by academic publishers that know they have a captive audience?

And how's this for a solution?

Some publishers may try to minimize theft by delaying releases of e-books for several weeks after physical copies go on sale. Simon & Schuster recently did just that with Stephen King's novel, "Under the Dome," although the publisher says the decision was made to prevent cheaper e-versions from cannibalizing hardcover sales.

In other words, they are *forcing* people who might pay for a digital edition to turn to unauthorised copies: smart move.

And it seems old JK doesn't get it either:

Some authors have even gone as far as to shrug off e-book technology altogether. J.K Rowling has thus far refused to make any of her Harry Potter books available digitally because of piracy fears and a desire to see readers experience her books in print.

Well, I'm a big fan of analogue books too - indeed, I firmly believe it is how publishers will survive. But I wonder if JK has ever considered the point that reading digital versions is rather less pleasant than snuggling down with a physical book, and so once you've got people interested in the content - through digital versions - they might then go out and buy a dead tree version?

But no, instead we are going to get all the inane reasoning that we heard from the music publishers, all the stupid attempts to "lock down" texts, and the same flourishing of publishers despite all that.

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