18 May 2007

An OGGly Duckling?

One of the things I love about Richard Stallman's crusade for freedom is that it is so uncompromising. This means that it tends to espouse strict, unimpeachable positions that may not be totally practical (which he would doubtless say is irrelevant).

A case in point is the new PlayOGG campaign, which encourages people to ditch MP3 files and use the OGG standard instead. Now, I yield to none in my admiration for OGG, but I really can't see this happening. Moreover, it's not long until the troublesome patents on MP3 expire anyway, so the whole question will become moot.

SOPERA: Beyond the SOA Soap Opera

I'm not the biggest fan of the SOA idea, which I find rather modish and ripe for being replaced by the next buzzword du jour, but I can hardly disagree with the second part of this statement:

„SOA und Open Source sind zwei der wichtigsten Trends in der IT. Die Verbindung von beiden bringt Unternehmen mehr Flexibilität bei geringeren Kosten“, sagt Ricco Deutscher.

["SOA and open source are two of the most important trends in IT. Bringing them together offers businesses more flexibility for lower costs," says Ricco Deutscher.]

Herr Deutscher is the CEO of the new company Sopera GmbH, which has just done something rather fine:

Deutsche Post World Net places SOA platform with Eclipse

IT service provider SOPERA will drive forward development of the platform at Eclipse

Bonn, 15 May 2007: After already announcing in April that it plans to make its SOA platform also available to other companies by the end of the year, Deutsche Post World Net has now secured a key basis for development with the Eclipse Foundation .

...

Deutsche Post’s IT service provider, SOPERA GmbH, will play a leading role in further development of the platform as a board member of the Eclipse Foundation. SOPERA managing director Dr. Ricco Deutscher describes the development perspectives: “It’s all about establishing an open-source, modular and standard-based SOA platform as part of a future open source stack.

This is good news for everyone, and emphasises how pivotal Eclipse is becoming - not just for open source, but computing in general. (Via James Governor's Monkchips.)

The Copyright Battle, Part II

I don't normally pay much attention to industry organisations, since they are pretty much self-serving. But the new Copyright Alliance (which so far doesn't seem to have a website) forms an interesting pairing with the Digital Freedom Campaign, which I wrote about last year. Copyright is and will be for some time an extremely hot issue.

17 May 2007

Exporting Jurisdictions - the Other Way

We're used to seeing the US exporting its own ideas of what consitututes illegality when it comes to copyright and patents - notably through its free trade agreements - but here's a useful reminder that in today's interconnected world, things can flow the other way too:

As Second Life grows, the European market becomes a larger and larger part of its user base. ComScore estimates as a much as 61% of Second Life's residents are based in Europe (including 16% in Germany). While ComScore's likely overestimated the number of active European residents, there is no doubt that European users have made up a substantial percentage of Second Life's rapid growth over the last eighteen months. Enough growth, that Linden Lab is rumored to be looking for European collocation space. And with servers in Europe, the Second Life content on those servers would unequivocally fall under the laws of the nation(s) those servers are based in.

And since you cannot usefully carve up the metaverse based on the physical geography of its users, this means that European laws - notably on virtual child pornography - are likely to be applied to the whole of Second Life.

Microsoft Backs ODF

No, really:


Microsoft Corp. today announced that it has voted to support the addition of OpenDocument Format (ODF) 1.0 to the nonexclusive American National Standards list.

Not quite sure why, but let's hope for the best. (Via tuxmachines.org.)

A Short Trip Through TRIPS

The WTO's Trade-Related Aspects of Intellectual Property Rights (TRIPS) agreement has figured many times in this blog. It's increasingly clear that it represents one of the bastions of old-style intellectual monopoly protection. Indeed, one measure of success in re-framing the debate about intellectual monopolies would be when TRIPS is repealed, or at least superseded. Here's a handy guide to it, together with links to recent TRIPS-related news.

The Guardian Identifies Itself on ID Cards

Good to see Charles Arthur coming out with a forthright attack on the madness that is the UK ID Card. Good, too, to see the Guardian returning to its roots by doing so.

16 May 2007

Open University Opens Up Some More

Some nice cc'd courses from the kind people at the Open University. (Via The Inquirer.)

Amazon Goes DRM-free - And So Do We (Almost)

This is big news:

Amazon.com today announced it will launch a digital music store later this year offering millions of songs in the DRM-free MP3 format from more than 12,000 record labels. EMI Music's digital catalog is the latest addition to the store. Every song and album in the Amazon.com digital music store will be available exclusively in the MP3 format without digital rights management (DRM) software.

It's important not so much because of the songs that will be freed in this way, as for the huge publicity it gives to the idea of being DRM-free. Until now, few end-users have really understood what the implications of DRM were; but once big names like Amazon start pushing the virtues of DRM-free stuff, then people will naturally demand it from other outlets - and from other labels alongside the enlightened EMI.

We're nearly there, people. (Via PaidContent.)

Hugging Hugg.com

Although the site itself is nothing special, its name is sheer genius. (Via GigaOM.)

The Same Old Song

Sigh, the usual idiocies:

UK copyright laws should be extended to prevent musicians from missing out on royalties in later life, MPs have said.

I hate to break this to you chaps, but royalties are there to encourage the creation of new songs, not reward you for ones you have already written.

The killer, though, is the following:

"Given the strength and importance of the creative industries in the UK, it seems extraordinary that the protection of intellectual property rights should be weaker here than in many other countries whose creative industries are less successful," the report said.

Well, you know, maybe it's precisely because the term is shorter here that people have more incentive to write new songs. Extend the term, and they have less incentive to compose, leading to less creativity. Simple, really, when you understand that copyright is a quid pro quo, not a gold-plated pension for ageing rockers.

Fighting Climate Change with Open Data

Here's an interesting idea on several levels:

the Zerofootprint platform, powered by Business Objects, provides urban dwellers the ability to view their “environmental footprint” – the effect their daily habits have on pollution levels and the strain they place on our natural resources.

Enter accessible data — such as miles driven each year, miles flown, kilowatt hours used, location of home and office — and you can easily calculate your effects on the earth. The calculator measures not only the amount of carbon dioxide emitted (the carbon footprint) but also the use of resources such as land, trees and water. Once an individual's impact has been calculated, the Zerofootprint tool provides information on how to reduce it, measuring the results.

I think this makes an important point: if you can't measure something - in this case environmental impact - then you can't manage it. Providing direct feedback to people on the consequences of their day-to-day choices seems a sensible way to engage them in fighting climate change and the destruction of the environmental commons.

Interestingly, there's another level:

Much of the data gathered will be stored on the Insight database — and then the real work begins.

The challenge, or challenges, will not stop with the creation of a database. As soon as a representative sample size is available, business analysts and number crunchers everywhere can roll up their sleeves to use the information in meaningful ways.

For instance, imagine a visualization comparing the carbon footprint per kilowatt hour of electricity used in Paris versus Shanghai.

“When we are able to analyze and visualize this data, that is bound to suggest a myriad of solutions,” says Ron Dembo, founder of Zerofootprint, whose mission is nothing less than to change the world by helping people reduce their environmental footprint. “The database created here will be the ‘creative commons’ for building models for many different opportunities.”

Again, this is hardly a novel insight, but it is an important idea. Aggregation of open data in this way provides a whole that is greater than the sum of the parts. What's striking is that both this and the idea of providing some kind of feedback lie at the heart of open source and related open endeavours. Modularisation means that people can work on small elements that together contribute to a larger whole; and the feedback they get for their efforts - typically peer esteem - is what keeps them going.
(Via Ars Technica.)

15 May 2007

Copyright Done Right(er)

Meanwhile, back in the real world:

The Government has proposed a change to the damages available under the Copyright, Designs and Patents Act, ruling out the possibility of the award of punitive damages in civil cases of copyright infringement.

...

The Government has long considered punitive damages more appropriate to criminal law. "[The] aim of civil law should be to provide compensation for loss, not to punish the defendant," said the paper.

Amazing. Kudos to the UK Government. (Via Michael Geist.)

Deranged Millennium Copyright Act

If you thought the DMCA was bad, take a look at this:

Attorney General Alberto Gonzales is pressing the U.S. Congress to enact a sweeping intellectual property bill that would increase criminal penalties for copyright infringement, including "attempts" to commit piracy.

The best bit, though, is the following:

* Create a new crime of life imprisonment for using pirated software. Anyone using counterfeit products who "recklessly causes or attempts to cause death" can be imprisoned for life. During a conference call, Justice Department officials gave the example of a hospital using pirated software instead of paying for it.

This would be funny if it weren't so sad: life imprisonment for using "pirated" software? What planet are they on? But I like to look on the bright side: in the face of this utterly deranged legislation, I think a lot of people are going to start looking rather favourable on free software....

14 May 2007

A Ray of Sunshine

Here's a fascinating post about software patents from Greg Papadopoulos, Chief Technology Officer and Executive Vice President of Research and Development at Sun. He has lots of surprisingly sensible things to say on the subject (i.e., he more or less agrees with me), together with the following comment that offered a truly fresh take on the subject (not something that happens often):

Patents are a far more blunt instrument than copyright, and tend to teach far less than code. I just don't know of any developer who reads patents to understand some new software pattern or idea. Remember, the limited monopoly we grant a patent holder is in exchange for teaching others how to do it so that when the patent expires everyone is better off (the length of time of the grant is another issue. How long is two decades in software generations?)

Of course! This is the real test of a patent: if it doesn't teach anything to people who ought to be hungry for knowledge it reveals, it's almost certainly trivial or obvious.

Brilliant, Greg. (Via Erwin Tenhumberg.)

Business Credibility in a Box

Ha!

Small businesses know they must seem successful to become successful. So they play Thriving Office while they're on the phone. This valuable CD is filled with the sounds people expect to hear from an established company, providing instant credibility. It's fast, easy and effective!

Thriving Office contains two 39-minute tracks: “Busy” and “Very Busy”. Both are filled with the sounds of voices, phones, computers, drawers and more.

(Via TechCrunch.)

Hold the Front Page - Or Maybe Not

The hot news, of course, is Microsoft's threat to sue the entire open source ecosystem. Or maybe not. As Techdirt rightly points out, this is not a threat, but actually just re-heated FUD. But even more, it's a final wake-up call: we need to get software patents sorted out before they sort out free software.

13 May 2007

A Flash of Recognition

Now, where have I heard this before?

I assert that there is something wrong with web-like "rich" formats that aren't hyperlink-able or indexable by search-engines. You could argue that these bugs could be fixed, and Flash is wisely becoming more URI-addressable and view-source-able over time. But it still ain't the Web. It is not hand-authored, easily tweaked incrementally, copy-and-paste-able. It's hardware.

Oh, yes, I remember:

I hate Flash animations even more: they are not only opaque - there is no cyber-there there - they are barriers to my free navigation of the Web and waste my time as they download. In effect, they turn the Web into television.

Well, television is, indeed, hardware.

11 May 2007

All 'K? KDE 4 Alpha is Out

KDE justs keeps on getting better and better, and is pretty much the de facto open source desktop these days. Now we have KDE 4 - well, an alpha release, at least - and it looks pretty cool.

Taking the DMCA Biscuit

This is almost Jesuitical in its contorted logic:

Media Rights Technologies and BlueBeat.com have issued cease and desist letters to both companies and to Adobe Systems Inc and Real Networks -- which produce the Adobe Flash Player and Real Player respectively -- for actively avoiding their X1 SeCure Recording Control, which they said is an effective copyright protection system.

MRT and Bluebeat said the failure to use an available copyright protection solution contravenes the Digital Millennium Copyright Act, which prohibits the manufacture of any product or technology designed to circumvent a technological measure that effectively controls access to a copyrighted work or protects the rights of copyright owners.

How do they come up with this stuff?

Identifying ID Card Flaws

As costs for the hare-brained UK ID Card continue to spiral out of control, the LSE has put together a timely submission to the House of Commons Home Affairs Committee inquiry into “A surveillance society?” that picks apart the current scheme's weaknesses.

Park at My LAMP Server

Up to the London OpenCoffee meeting yesterday (well, with a name like that, how could I resist?), where I met Anthony Eskinazi. He's the MD of the self-explanatory ParkAtMyHouse.com:

We are a brand new and innovative service which aims to provide affordable and penalty-free parking around public venues by enabling property-owners to rent out their empty driveways, garages, car parks and other spare pieces of land to drivers needing somewhere to park.

Motorists and cyclists on their way to work, a big sports match or a hospital appointment for example, can arrange to use a property-owner’s space on a one-off or regular, short-term or long-term basis.

What I love about this idea - aside from its blindingly obvious nature, always a good sign - is the way it uses technology to make economic and social activity more granular, and hence more flexible and efficient. It also has a green angle, thanks to this tie-up with Zipcars.

Not surprisingly, one reason why Eskinazi was able to turn this idea into reality with minimal resources is because he's built his site (personally) on a LAMP stack. He also mentioned how much he owes to the content management software Joomla, which he says is both easy to use and yet extremely powerful.

09 May 2007

A Theory of Modularity

I've mentioned a few times how important modularity is to the efficiency of openness. This seems pretty obvious, intuitively, but it's nice to know that some academics have produced a rather nice, rigorous demonstration of why this should be the case for software:

Important software modularity principles, such as the information hiding criterion, have remained informal. DSM modeling and Baldwin and Clark’s design rule theory have the potential to formally account for how design rules create options in the form of independent modules and enable independent substitution.

This paper evaluated the applicability of the model and theory to real-world large-scale software designs by studying the evolution of two complex software platforms through the lens of DSMs and design rule theory. The results showed that (1) DSM models can precisely capture key characteristics of software architecture by revealing independent modules, design rules, and the parts of a system that are not well modularized; (2) design rule theory can formally explain why some software systems are more adaptable, and how a modularization activity, such as refactoring, conveys strategic advantages to a company.

Er, quite. (Via Michael Tiemann.)

The True Cost of Intellectual Monopoly Infringement

Not as big as some would have us believe:

International trade losses due to product counterfeiting and piracy are much lower than estimated by business lobby groups, according to the most detailed global study to date.

...

The report, due for endorsement by the OECD board later this month, could prove embarrassing for international business lobbies, which have used the higher estimates to lift intellectual property rights up the global political agenda and to demand crackdowns in China and elsewhere.

(Via Michael Geist's Blog.)

OpenSourceCinema.org

Here's a meme that pops up now and again, an open source film. But this one comes with a twist - it uses a wiki for the script:

This is the script for the film. I'm laying out everything I plan to do or hope to do.

This film is not finished - this film will never be finished [that's what we've been saying for 4 years!]. This writing is not meant to be perfect - instead it is meant to be dynamic. I am not editing myself as I write. I am being open. I'm like a bird, I'll only fly away.

I'm begging for help! Any page in this wikifilm can be edited. If you want to add something you think should be filmed, or that you have filmed, STEP UP! Wise man once say about this site: MORE BOOTY SHAKIN', LESS COUCH POTATIN'!

If thoust thinks the wording can be improved upon or otherwise ameliorated, then thoust must act to change at once!

Every page, except this one, can be edited. (Why? Because this page generates the Table of Contents).

We will create a feature documentary from this wiki. It will play in theaters and on TV. Everyone who contributes will get a credit. So choose your handle wisely.

Below are the chapters of the film as I see them. Please - comment, change, act, create. Changing is not breaking - changing is evolving. Structure is dissolving. Music is revolving.