Free Thinking

I have been accused of being "sniffy" about Kevin Kelly's meditation on eight new scarcities created by free; well, be that as it may. However, I was much more impressed by an earlier essay, pointed out by Chris Anderson, called "Technology Wants to be Free", which seems much meatier to me. It contains lots of concrete examples of how the cost of commodities inevitably tend to zero, and concludes with this important thought:

The odd thing about free technology is that the “free as in beer” part is actually a distraction. As I have argued elsewhere (see my 2002 New York Times Magazine article on the future of music for example) the great attraction of “free” music is only partially that it does not cost anything. The chief importance of free music (and other free things) is held in the second English meaning of the word: free as in “freedom.” Free music is more than piracy because the freedom in the free digital downloads suddenly allowed music lovers to do all kinds of things with this music that they had longed to do but were unable to do before things were “free.” The “free” in digital music meant the audience could unbundled it from albums, sample it, create their own playlists, embed it, share it with love, bend it, graph it in colors, twist it, mash it, carry it, squeeze it, and enliven it with new ideas. The free-ization made it liquid and ‘free” to interact with other media. In the context of this freedom, the questionable legality of its free-ness was secondary. It didn’t really matter because music had been liberated by the free, almost made into a new media.